Sergio Giussani

Funny, entertaining comedy with a few storylines. All of them have one thing in common - a resort town of Rimini in Italy.

At work, Mario Millio is the only male nurse not on strike. At home, his wife is more interested in calling the hot-line of a local TV-doctor. When Mario wins 15 million Lire in the lottery, he buys himself a new car and starts to live out his dreams in secret. All goes well until a criminal steals the car and Mario is blamed for the car thief's crimes

Sicily, Fascist Italy, 1925. Dictator Benito Mussolini appoints Cesare Mori, a man as tough as he is honest, as the new police prefect of Palermo and entrusts him with the arduous task of putting an end to the Mafia, a sinister criminal organization that has sown terror on the island for centuries.

A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.

A detective is assigned to investigate the mysterious murders of some Supreme Court judges.

Caleb, "son of nobody" (Enrico Montesano) lives in Galilee in Jesus' day and struggles as a thief and con-man, pretending to be a magician. When he witnesses Jesus turning water into wine, he thinks he's found a competitor. So Caleb goes on, convinced that Jesus is a fake just as he is, always trying to figure out his tricks. In the meantime, he gets involved with a prostitute (played by Edwige Fenech), but also with the wife of a Roman patrician (played by the equally alluring Bernadette Lafont), he steals a few goats and cons a few people, he befriends a lovable dog and gets in trouble with some Roman soldiers.

Poet Palmambrogio Guanziroli loses his wallet mere moments after arriving in Milan. He locates the culprit, a photographer nicknamed 'Click' and takes up residence with him until he either gets his money back or his poetry published.

Giuseppe Moscati, Doctor saint of Naples, was a doctor of the early twentieth century, from an aristocratic family devoted his career to serving the poor. The film focuses on the human side, partially leaving aside the spiritual part.