Julio Medina

An FBI agent works to uncover an all-American family as Soviet sleeper agents, and gets caught up in friendship with their oblivious teenage son.

The Final Days concerns itself with the final months of the Richard Nixon presidency.

A dramatization of the life of Juan Seguin, a heroic Mexican-Texan who became entangled in the struggle between two contrasting cultures in the turbulent decade between the Texas Revolution (1836) and the Mexican-American War (1846-1847).

True story recounting the crash of Eastern Airlines, Flight 401, which crashed in the Everglades while on approach to Miami in December 1972. Accurate in many respects, the movie goes through the events leading up to the crash, the crash itself, and the rescue effort afterwards.

Mexican medical researchers are lost in a plane crash in the Amazon basin, which triggers a whole bunch of adventure-movie subplots.

Maqroll, Ilona, and Abdul all share a common dream: to sail the world in a tramp-steamer. But who could afford such a thing? Over the years they have become separated. Alone in Panama City, smuggler Maqroll is finding neither great success nor happiness — until the tropical rains come, bringing Ilona: friend, lover, and partner in crime. Abdul, in Morocco, has found a steamer to suit them. In Panama, Ilona and Maqroll begin a new scheme, in search of impossible wealth. But fate has further twists in store.

The first biographical film on the famed Mexican artist, traces his life from childhood through his Cubist period, his leading role in the Mexican mural renaissance, his fame as a muralist in the USA, and his later years. The film explores Rivera's life and work, including his stormy relationship with Frida Kahlo and the destruction of his famous mural at Rockefeller Center. Shot on location in Mexico and the United States, the film includes a remarkable collection of archival film and photographs, much of which has not been seen before. The text is drawn from the writings of Rivera and Kahlo and from other historical texts. Using Rivera's own words, this richly detailed film brings to life the difficulty he faced in his transition from studio artist to public and political artist, and the conflicts that arose from that point onward.

The director of an urban medical center faces various major problems during the course of running the hospital.