Jaap Hoogstra

Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.

A man of independent means oddly suited to survival amid the chaos of modern life, Inni Wintrop is a committed dabbler, content to casually wander the streets of Amsterdam, follow the dips and rises of the stock exchange and commodities market, speculate in art and love, and write a newspaper horoscope column. But his inconsistencies are interrupted when he meets two men who are the epitome of order and regulation.

Hes, an uptight and disaffected social worker reaching retirement, discovers a young woman, Anna, in the closet of an acquaintance who has committed suicide. Realizing that she has been kept in the apartment all her life, he moves in and helps her comes to terms with the complexities of the real world.

The full title of this Dutch film is Pervola: Tracks in the Snow. A stockbroker moves away from his home village of Pervola and puts his two sons in charge of his business. Older brother Hein (Bram van der Vlugt) cheats younger brother Simon (Gerard Thoolen) out of his share, claiming that Simon was disinherited because he is homosexual. Hein grows powerful, while Simon seems to weaken with each passing day. Flash-forward several years: the dying stockbroker calls his sons to his side. Faithful Simon agrees to dad's wishes that he be buried in Pervola, but Hein doesn't want to go to the trouble of transporting the body; he finally agrees to help Simon, out of fear that his brother will learn of his long-ago treachery. While arduously journeying to Pervola with the father's body strapped to a sled, Hein inadvertently confesses; Simon, however, is of strong enough moral fibre to forgive his brother.

Otanes is certain that Smerdis, King of Persia is an impostor. He gathers together a group of people to stage a coup, only to face the question of which one of them will be worthy to take the throne.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

During the second world war law student Hannie Schaft is a member of the Dutch resistance movement.