Eijirō Hose

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.

Stage director Shimamura, who is bringing western theatre to Japan, falls in love with outspoken actress Sumako Matsui, and leaves his family to be with her, while trying to keep his Art Theatre solvent.

In the Meiji period, a schoolteacher tries to hide his lower-class upbringing as he supports a visiting liberal intellectual.

Watanabe Kazuma and Kawai Matagorō from the Bizen Okayama Ikeda clan were close friends, but they inevitably became enemies after Matagorō killed Kazuma's younger brother, Gentayū, and fled. Seeking assistance, Kazuma asked his brother-in-law, Araki Mataemon, for help, but Mataemon refused, saying that it was against the code for a brother to avenge another brother's death. On the other hand, the lord of the clan, Ikeda Tadao, ordered a search for Matagorō, who was found to be sheltered by the Hatamoto, including Andō Jiemon, in Edo. Tadao was furious but unable to act. Matagorō, in Edo, came to regret his birth as a samurai. He met and fell in love with Okō, a bathhouse maid. As the discord between the Hatamoto and the Ikeda clan deepened, Tadao died of illness. Seizing the opportunity to ease the conflict, the shogunate ordered the Ikeda clan to be succeeded by the young lord Katsugorō and to relocate to the Ikeda clan of Inshū Tottori. Meanwhile, Matagorō was exiled from Edo.

On February 4th of the 16th year of the Genroku era, Yatō Uemon no Shichi reminisces while waiting his turn for seppuku at the Mizuno residence. When news of his lord, Asano Naganori, attacking Kira Yoshinaka in the palace reached Akō, Uemon no Shichi was sixteen. The family elder, Ōishi Kuranosuke, determined to avenge, gathered allies, but Uemon no Shichi's father, Chōsuke, being sickly and considered too young, was not included. Chōsuke committed suicide.

A continuation of the prior film (影法師).

short film about Banchō Sarayashiki.

The ambiguous relationship between a woman musician and her young student.