María Teresa Dressel

A married woman living in France returns to Madrid to bury her father.

Early Spanish western. Ramon Torrado’s westerns remain among the most obscure ones. Of his four westerns, all shot around 1964.

A devastating atomic device is about to fall on a small town, which is evacuated. Only thirteen inhabitants remain, gathered in a church.

Elena is a writer and is in a relationship with a painter, Fernando. Charo works as a waitress in a hotel and continues to dream of John Sargent, her platonic love, although when she discovers that the actor is gay she returns to her boyfriend Luis. Mara, a model, and Miguel is dating a sick man much older than them. Eugenia is a haute couture dressmaker and cares for her niece Soledad, who wants to be a singer. All of them have ambitions of love, but none is happy with their current situation.

After graduating in Economics, Luis is seeking to burst through in life. His partner Ana sees how his way of being is changing by the standards of his company into a different person. Ana tries to draw his attention in a failed suicide attempt.