Allel Yahiaoui

Dahmane is a wealthy and educated man who lives alone with his horse. One day, he takes in Jennia, a beautiful woman who turns out to be a spirit. The childless Dahmane adopts her and refuses to release her. However, his neighbour discovers his secret and threatens to reveal it unless Dahmane brings the neighbour's wayward son back home.

When the War of Independence ends, a widow must find a roof for her six children. Luckily, a Frenchman about to leave offers her the house he is about to vacate. But a high-placed local bureaucrat does not agree to such a gift. After losing all hope of obtaining the property due to the bias of the local authorities, she decides to go to the capital with her children to speak to the president of the Republic.

A poor man rescues a rich man from burglars. as a way for thanking him The rich guy invite him and his family to come and live in his luxurious hotel. The poor family's life turns upside down in their new home.

After the battle of Kfar Chouba in Lebanon in January 1975, Larbi Nasri, a young Algerian journalist, was caught in the whirlwind of events preceding the civil war. Linked to Maha, Hind, Raouf and Michel who surround Nahla, he witnesses the construction of the myth of Nahla, a singer adored by the Arab population. One day Nahla loses her voice on stage. The atmosphere of crisis that reigns around her is spreading like an infection. Larbi, fascinated, loses his footing and gets bogged down.

Two deaf and dumb children. She is the daughter of an American Oil engineer. He is the son of an Algerian farmer. They meet and manage to communicate, transcending all the cultural barriers that separate them.

Four short films covering the Algerian War, directed by three filmmakers, each telling a different story: The Maquis, The Rebel, The Rifle, and The Notebook of a Maquisard.

In Algeria, Youcef escapes from a psychiatric asylum located at the edge of the desert. He was a fighter and, years later, he still believes himself to be a prisoner of the French army. He rejoins what he thinks is his resistance group. He finds the bones of his comrades, buries them, and promises himself that he will visit their families, one after the other, to honor their memory. He goes underground and makes quick forays into the villages. He is struck by what he sees there. Young people queuing for bread, former FLN leaders living in the villas of the colonists, and farm workers mistreated by their Algerian foremen. As for the women, although they played a decisive role in the liberation of the country, they are now cloistered or forced to go out in public wearing masks. When he is discovered by the authorities, Youcef cannot believe that thirty years have passed. This nuisance must be eliminated...

Collectively directed by the members of the Centre audiovisuel d'Alger at Ben Aknoun, the film traces, in two parts, Algeria's recent history, from colonial repression to the birth of the National Liberation Army, and the country's postwar reconstruction, framed in sympathy with the socialist project of Ahmed Ben Bella's government. Released in 1964, the film was banned and sealed after Houari Boumediene's June 1965 coup, precisely because of its favorable treatment of Ben Bella.