Julianna Barwick

THRESHOLD is the story of Olympic gold medalist and most decorated American cross-country skier ever, Jessie Diggins, and the struggle behind her smile– a painful fight with an eating disorder at the peak of her career.

The Road to Patagonia is a stunning, intimate and unflinching series of love letters within a documentary – firstly, a love between two people, and secondly between humanity and the Earth. Ecologist Matty Hannon begins an incredible solo adventure, to surf the west coast of the Americas by motorbike, from the top of Alaska to the tip of Patagonia. But deep in the wilderness - alone with the wolves and the bears - the journeyer’s plans unexpectedly fall to pieces. After losing everything, and on the cusp of quitting he meets the girl of his dreams, a permaculture farmer named Heather. Shot over 16 years, the result is an adventurous exposé on the more-than-human-world, offering a physical and spiritual odyssey to better understand our place in Nature.

Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.

A short documentary following Paulette Harwood, a 90-year-old former Radio City Music Hall Corps de Ballet soloist, as she teaches the final classes in a school she's run for sixty years.

Joan is a young college student who doesn't know that she has epilepsy. Another boring night takes an ominous turn when she meets two strangers at a softball game. I Remember Nothing is structured after the five phases of a seizure.

At Noon Fell A Darkness is a poetic profile of 15 prominent Icelandic musicians and poets as they travel home to Reykjavik for Sigur Ros's inaugural Norður og Niður festival in the winter of 2017-18. The film follows acclaimed and award-winning artists such as Gyða Valtýsdóttir, Sóley Stefánsdóttir, Bára Gísladóttir, Sigrún Jónsdóttir, Kristín Anna Valtýsdóttir, Kórus, Mammút, Úlfur Hansson, Alex Somers, Gerður Kristný, Fríða Ísberg and Arngunnur Árnadóttir to lighthouses, abandoned pools, the feet of mountains and to volcanic beaches to create an experimental documentary of a contemporary moment in the history of Icelandic art.

Two desperate pioneer women escape together across the midwestern desert in 1848.

Filmed entirely inside the world of virtual reality (VR), this immersive and revealing documentary roots itself in several unique communities within VR Chat, a burgeoning virtual reality platform. Through observational scenes captured in real-time, in true documentary style, the film reveals the growing power and intimacy of several relationships formed in the virtual world, many of which began during the COVID-19 lockdown, while so many in the physical world were facing intense isolation.