Béla Bartók

Jack Torrance accepts a caretaker job at the Overlook Hotel, where he, along with his wife Wendy and their son Danny, must live isolated from the rest of the world for the winter. But they aren't prepared for the madness that lurks within.

The two short operas Eine Florentinische Tragödie and Herzog Blaubarts Burg are linked by a central theme: the progressive recognition of the only seemingly familiar counterpart. In Zemlinsky's Eine Florentinische Tragödie, the murder of Bianca's lover by her jealous husband Simone leads to a dialog between the two spouses that surprisingly signals a new beginning of love. In Bartók's one-act opera, however, Judith's journey to the inner depths of her beloved Duke Bluebeard - symbolized by the opening of seven mysterious doors - ends in darkness and loneliness.

In The Chairman Dances, John Adams makes Mao dance and Nixon play the piano. In a completely different vein, Harmonielehre pits percussion against melody and strings and winds against rhythm. In Bartók's concerto for two pianos, timpani and xylophone provide a third solo part. David Robertson conducts the Frankfurt Radio Symphony Orchestra.

An early short film by Liliana Cavani that confronts the theme of discrimination.

On Earth in 2018, the Doctor and his companions are enmeshed in a deadly web of intrigue thanks to his uncanny resemblance to the scientist/politician Salamander. He is hailed as the "shopkeeper of the world" for his efforts to relieve global famine, but why do his rivals keep disappearing? How can he predict so many natural disasters? The Doctor must expose Salamander's schemes before he takes over the world.

A brief record of the insects and arachnids that visited my house during a very hot summer in Buenos Aires.

Director Gaspard Bazin is working on a new feature film. For now, he's still looking at the fundraising and casting stage of the process. He calls upon Jean Almereyda, a once-fashionable producer who is now going through a bad patch, finding it increasingly difficult to raise the capital he needs for his ventures. His wife Eurydice dreams of being a movie star. A perverse game between the two men ensues, with Almereyda wanting to please his wife, but reluctant to demand a role for Eurydice because of Bazin's reputation as an incorrigible seducer.

Valery Gergiev conducts Mariusz Trelinski’s thrilling new production of these rarely heard one-act operas. Anna Netrebko stars as the blind princess of the title in Tchaikovsky’s lyrical work, opposite Piotr Beczala as Vaudémont, the man who wins her love—and wakes her desire to be able to see. Nadja Michael and Mikhail Petrenko are Judith and Bluebeard in Bartók’s gripping psychological thriller about a woman discovering her new husband’s murderous past.

Benjamin Millepied and the L.A. Dance Project join forces with Esa-Pekka Salonen and the Orchestre de Paris to celebrate Pierre Boulez through dance. A performance to mark the composer's centenary, followed by works by Stravinsky and Bartók.

The Berlin Philharmonic, conducted by Jakub Hrůša, takes the audience on a journey through Bartók’s monumental work *Concerto for Orchestra*, which the composer wrote whilst in exile in the United States. The Czech conductor is a frequent guest with the Berlin Philharmonic. As is often the case, Hrůša looks to the East and presents Bartók’s unbridled music, which celebrates a European humanism.

The Ghost Sonata relates the adventures of a young student, who idealizes the lives of the inhabitants of a stylish apartment building in Stockholm. He makes the acquaintance of the mysterious Jacob Hummel, who helps him to find his way into the apartment, only to find that it is a nest of betrayal and sickness. The world, the student learns, is hell and human beings must suffer to achieve salvation.

Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.

From Palazzo Barberini in Rome, flutist Marzio Conti and pianist Gloria Belli will perform: “Cantabile et presto” by George Enescu; “Fantaisie, Op. 79” by Gabriel Fauré; and “Suite Paysanne Hongroise” by Béla Bartók.

Directed by Pierre Clément and Djamel-Eddine Chanderli, produced by the FLN Information Service in 1958, this film is a rare document. Pierre Clément is considered one of the founders of Algerian cinema. In this film he shows images of Algerian refugee camps in Tunisia and their living conditions. A restored DVD version released in 2016, from the 35 mm original donated by Pierre Clément to the Contemporary International Documentation Library (BDIC).

The renowned Japanese choreographer Saburo Teshigawara takes over the Château de Champlâtreux for *Sur Mesure*. He has invited dancer Rihoko Sato and violinist Sayaka Shoji to join him in this performance.

Documentary about the Belgian surrealist artist who died in 1967.

Based on the Béla Bartók opera, Duke Bluebeard reluctantly and gradually uncovers the secrets of his psyche to his fourth wife, Judit, opening the seven doors of his castle to ultimately reveal his still living previous wives, among whom Judit must take her place.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.

From the Rai Arturo Toscanini Auditorium, conductor Juraj Valčuha presents the Rai premiere in Turin of Jean Sibelius’s Symphonic Poem Op. 73, *Aallottaret* (The Oceanides), followed by the *Four Sea Interludes* from Benjamin Britten’s masterpiece *Peter Grimes*. In the second half of the programme, the mood shifts with two masterpieces of extreme expressive power: the Concert Suite from Béla Bartók’s one-act pantomime The Miraculous Mandarin and Maurice Ravel’s La valse, composed between 1919 and 1920, when Europe was attempting to emerge from the ruins of the Great War.

Running through Bartók’s disenchanted tale, whose haunting music was initially condemned as unplayable, and the expression of despair in Poulenc’s monologue, the director Krzysztof Warlikowski perceives a shared dramatic thread, a shared feminine consciousness and a shared sense of imprisonment and suffocation: for the woman who penetrates the confines of Bluebeard’s castle and Elle, the woman who clings to a telephone conversation with a man as the only thing worth living for, are condemned to share the same fate. And this man she speaks to, does he really exist? Unless the director has interpreted Cocteau’s words to the letter and the telephone has become a “terrifying weapon that leaves no trace, makes no noise”…

An old man pays a woman to live with him as if she were his wife, until one day he discovers that she's sleeping with his son.

In Hoppla!, two choreographies by Anne Teresa De Keersmaeker are brought together and performed to the music of the Hungarian composer Béla Bartók: Mikrokosmos, seven short works for two pianos, and Quatuor no. 4, Bartók’s fourth string quartet. The reading room of the Ghent University library, designed by the renowned architect Henry Van de Velde, serves as location.

At the Baden-Baden Easter Festival, the Berliner Philharmoniker and conductor Jakub Hrůša perform the Concerto for Orchestra, a work composed by Béla Bartók during his exile in the United States. Also on the programme is Beethoven's Piano Concerto No. 5 performed by South Korean pianist Seong-Jin Cho.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Monitor was a BBC arts programme that was launched on 2 February 1958 and ran until 1965. Huw Wheldon was the first editor from 1958 to 1965. He was also the principal interviewer and anchor. Wheldon set about moulding a team of talents, including John Schlesinger, Ken Russell, Patrick Garland, David Jones, Humphrey Burton, John Berger, Peter Newington, Melvyn Bragg, Nancy Thomas and Alan Tyrer. Monitor ranged in subject over all the arts. Wheldon's Monitor lasted until he had "interviewed everyone I am interested in interviewing", and he was succeeded by Jonathan Miller for the series' last season.