Antonina Choroszy

People Get Eaten

Herluf lives a complacent life with his wife Inger-Lise. Their daily routines are only interrupted by their daughter's marriages, the third now about to take place. But Herluf's problems are more serious than an indecisive daughter, his wife is cheating on him and he's started forgetting things at work. And one day Herluf doesn't return home.

Poznań 56

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

Deszczowy żołnierz

After being raped by her lover, Anna, lawyer investigating top-level corruption, nearly hits an amnesiac man while driving. This event begins a series of flasbacks back to communist takeover of Poland in 1949.

Backwards

Inspired by real events, the story of a young mother of an autistic boy, whose long-term persistence and struggle with bureaucracy and human heartlessness led to significant changes in the Polish education system.

Sonata

Grzegorz, diagnosed as an autistic child, lives in his hermetic world, unable to establish contact with others. When he turns fourteen, it turns out that the cause of isolation is not autism, but hearing loss, which hides great musical talent.

Volta

A woman stumbles upon a valuable artifact, the crown that belonged to Casimir the Great.

80 Million

A movie about the power of thousands, the courage of hundreds and friendship of a few, thanks to whom a change of fate of millions became possible. Poland, lower Silesia, the beginning of a very cold winter 1981. After a series of entrapments by the security service a confrontation between the opposition and the communists seems to be inevitable. Just before the proclamation of martial law a group of young solidarity activists decide to play va banque and organize a rash action to take out 80 million of the union money from one of the Wroclaw’s banks before the account is blocked. Security service officers follow their steps. It’s the beginning of a gripping tournament in which also priests and curb dealers will play their parts. Each side has aces up their sleeve.

Kryminalni

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

People Get Eaten

Herluf lives a complacent life with his wife Inger-Lise. Their daily routines are only interrupted by their daughter's marriages, the third now about to take place. But Herluf's problems are more serious than an indecisive daughter, his wife is cheating on him and he's started forgetting things at work. And one day Herluf doesn't return home.

Poznań 56

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

Deszczowy żołnierz

After being raped by her lover, Anna, lawyer investigating top-level corruption, nearly hits an amnesiac man while driving. This event begins a series of flasbacks back to communist takeover of Poland in 1949.

Backwards

Inspired by real events, the story of a young mother of an autistic boy, whose long-term persistence and struggle with bureaucracy and human heartlessness led to significant changes in the Polish education system.

Sonata

Grzegorz, diagnosed as an autistic child, lives in his hermetic world, unable to establish contact with others. When he turns fourteen, it turns out that the cause of isolation is not autism, but hearing loss, which hides great musical talent.

Volta

A woman stumbles upon a valuable artifact, the crown that belonged to Casimir the Great.

80 Million

A movie about the power of thousands, the courage of hundreds and friendship of a few, thanks to whom a change of fate of millions became possible. Poland, lower Silesia, the beginning of a very cold winter 1981. After a series of entrapments by the security service a confrontation between the opposition and the communists seems to be inevitable. Just before the proclamation of martial law a group of young solidarity activists decide to play va banque and organize a rash action to take out 80 million of the union money from one of the Wroclaw’s banks before the account is blocked. Security service officers follow their steps. It’s the beginning of a gripping tournament in which also priests and curb dealers will play their parts. Each side has aces up their sleeve.

Kryminalni

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Into Deep Water

A group of social welfare workers led by their new director tries to provide necessary aid to people struggling with various problems.

Artists

The original, 8-episode series by eminent theatre artists - Monika Strzępka and Paweł Demirski about what is going on behind-the-scenes of one of the muncipial theatres in Warsaw. The story also can be read as an ambiguous metaphor, where artistic problems of cultural activities and hard economic conditions meet.

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