John Whitney Sr.

Directing

John Whitney Sr.

Born April 8, 1917 · Pasadena, California, USA.

Died September 22, 1995 · aged 78

John Whitney, Sr. (April 8, 1917—September 22, 1995) was an American animator, composer and inventor, widely considered to be one of the 'fathers' of computer animation.

Known For

Matrix IIIMatrix III · 1972
Matrix III
7.01972
MovieAnimation
An abstract computer-generated animation set to music by Terry Riley.
Moon DrumMoon Drum · 1991
Moon Drum
1991
Movie
Moon Drum offers an impressionistic evocation of the mood, color and feel of native American art created by computer graphics.
PermutationsPermutations · 1968
Permutations
6.01968
MovieDocumentaryAnimation
An experimental short film by John Whitney Sr. which combines animated shapes and colors; Computer graphics as dynamic, swirling art. Preserved by the Academy Film Archive in 2014.
ArabesqueArabesque · 1975
Arabesque
7.61975
MovieAnimation
John Whitney's pioneering work of computer animation, Arabesque, from 1975. This flowing, abstract short film is a wonder to behold, a work of art. Like many other computer graphics pioneers, this film suggests roots in psychedelics and spiritual quests as much as engineering and mathematics. Preserved by the Academy Film Archive in 2007.
MatrixMatrix · 1971
Matrix
7.31971
MovieAnimation
A piece of abstract cinema by John Whitney. A series squares follow a 3-dimensional track, each one with a slight delay after the other.
CatalogCatalog · 1961
Catalog
6.51961
MovieAnimation
Collection of Computer Graphic effects.
Five Film Exercises: Film 1Five Film Exercises: Film 1 · 1943
Five Film Exercises: Film 1
5.11943
MovieAnimation
Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
Five Film Exercises: Film 5Five Film Exercises: Film 5 · 1944
Five Film Exercises: Film 5
1944
MovieAnimation
Opens with a short canonical statement of a theme upon which the entire film is constructed. The canon is repeated in contrasting variations by means of color. A second section poses the same image in deep film space. The image unfolds itself repeatedly, leaving the receding image to continue on smaller and smaller. Preserved by the Academy Film Archive in 2005.

Filmography

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