Matsuo Ohno

The year is 1988, and in the midst of recovering from a near-miss with a large comet, Earth finds that there are much worse matters at hand: the sudden arrival of a strange army of aliens and their fleet of unstoppable warships.

On October 12, 1956, 53 surveyors and 1,300 armed police rushed the gathered union and Zen Gaku Ren (the All Japan Federation of Self-Governing Students Associations) members who then formed a scrum to protect themselves. 278 people from both sides were injured. On the 13th, at the protest’s peak, 5,000 workers and Zen Gaku Ren members had been mobilized when the police attacked the demonstrators’ picket lines. 844 protesters and 80 police were injured. Public opinion erupted against the the violence of the armed police and the government’s lack of a policy, and on the 14th, the radio suddenly announced that the government would stop its survey. Sunagawa overflowed with joy and excitement, and a victory demo was held. On the 15th, a National People’s Rally was held to celebrate the victory of Sunagawa’s fight against the base, and protesters who had sustained grave injuries came from the hospital to address the meeting.

Compilation of Episodes 1,2 46, 56 and 71 from the 1963 Astro Boy series that were reproduced in color for this theater version.

The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.

This is a short, privately produced animated film. While elucidating the mystery and fuzziness as well as merits and demerits of memory in idealizing reality, the story develops into a tale of destruction of human beings, turning the existence of the earth into a memory of the universe. The production, only 5 minutes long, greatly helps expand the viewer's imagination, embodying the enchantment of animation.

A cultural film documenting Butoh dancer Tatsumi Hijikata as he is taken out of his stage space and dances in the streets. 16mm.

A "remix version" of Modern with a soundtrack by Matsuo Oono, which turns the satisfying orderliness of Modern into a cold, disturbing landscape.