Jelena Angelovski

Peasant girl Jagna is forced to marry the much older, wealthy farmer Boryna, despite her love for his son Antek. With time, Jagna becomes the object of envy and disdain with the villagers and she must fight to preserve her independence.

Berna Tuna, a renowned academic has just died. Her husband, Macit, will take this opportunity to face past wrongdoings and reconnect with his long-neglected daughter İpek. His hope for a fresh start is put to test by his son Alp and his wife’s assistant Feyza, who are strongly attached to Berna’s legacy.

An intense friendship between Sara and Alisa comes to a strange and abrupt end after Sara opens up about urges beyond physical desire. Oppressed by her environment, Alisa becomes estranged, leaving Sara to struggle with solitude and repression which begins manifesting itself in a monstrous form.

A girl born in the former Yugoslavia returns to a mountain village her grandmother fled during the Greek Civil War. The place has become a trendy ski resort and no longer corresponds to her family memories.

In 19th-century Montenegro, the free mountain territories are surrounded by Turkish forces, isolated from the West and steeped in conservatism, patriarchy, and superstition. Morlak, a poet and bishop inspired by the historical figure Petar II Petrović Njegoš, leads his tribe in resisting the invaders. Gravely ill, he is sent to southern Italy in search of a cure. The journey takes him to a house in Naples, a city that contrasts sharply with his homeland’s isolated hills. As Morlak contemplates his existence, his loyal servant Djuko struggles with profound nostalgia, driven by the fear of his master’s death in a foreign land.

Cinematic observations and testimonies intertwine with interpretations of contemporary dancers, the author’s sculptural work, and the voices of actors who lend their voices to non-human protagonists: geological formations, infrastructural objects, and animals. The author of the film, whose family was deported from Yugoslavia to Germany during the Second World War, re-learns the Serbian language, and reflects on the notion of migration and progress.

Filip, a sophisticated university professor, goes with his wife to a spa on the coast. After a few of days spent in the comfy and monotonous ambiance of the hotel, their seemingly ideal marriage is over. Filip is left by his wife. Everything seems to indicate that his life is collapsing, but Filip, refined and armed with confidence, faces each new circumstance with unusual ease. Deep in the forest, a new fantasy world will break him down, but also give him a chance for a new beginning.

74-year-old dancer Sonja Vukićević moves through socialist-modernist spaces, her body echoing Yugoslavia's last mass performance.