Phil Wurtzel

A torn suburban family refuses to heed the warning of an innocent prank left upon them which causes an unknown supernatural force to wreak havoc.

In this tense tale of psychological terror, Vivian Miller (Young) is a young twenties woman who’s serving out her jail sentence at a work release program in the Midwest. Her 90 days of probation takes her to The Cawdor Theater, a dilapidated summer stock theater run by Lawrence O’Neil (Elwes). Lawrence, a failed Broadway director, is now reduced to staging amateur productions with young parolees and raging over the mistakes from his past. Vivian’s arrival in Cawdor starts a terrifying series of events that brings Lawrence’s secret past to the present. After Vivian views an old taped stage production of Macbeth, a force of evil is unleashed which soon turns its sights on her. With the help of Roddy (Welch), a local outcast, Vivian sets about trying to discover who the supernatural killer on the tape is before she becomes the next victim.

The story follows an elderly man on his deathbed who gives his young grandson a pocket watch and warns the boy against the dangers of letting time slip away.

A mother investigates her daughter’s belief that a malevolent presence has been visiting her at night. A deeply unsettling permutation of the ol’ “there’s-a-monster-under-my-bed” chestnut.

When a young war vet returns home from Afghanistan, he struggles to find joy in the life he once knew. As he comes close to giving up all hope, his guardian angel pays a visit to show him there’s more meaning to his life than he’s ever known.

A psychiatrist tries to save a young female patient whose psychoses might hold the key to ending an ancient evil.

Before her lights go out Roxy Starr and her manager get the band together for one more show.