Janne Niskala

The AssimiNation is a political pamphlet portraying the indigenous Sámi people fighting for their existence. The film follows the on going cultural genocide of the Sámi which the current Governmental politics allow. This film is a cry for help for the last indigenous people living in the EU.

With the Soviet Union’s dissolution dragging down the economy of neighboring Finland, the Scandinavian country was plunged in a period of protracted recession. And with no recovery in sight, a soap opera offered Finns a respite from the grim reality; the debut of The Bold and the Beautiful on television quickly amassed a vast and dedicated following, whereas the arrival of American idols in the country, on tour, elicited unprecedented frenzy.

Sámi artefacts from the Finnish National Museum are returning home to Sápmi, while the holy drums of the Sámi people are still imprisoned in the basements of museums across Europe. The returning objects symbolise the dignity, identity, history, connection to ancestors and a whole world view that was taken from the Sámi people. Director Suvi West takes the viewer behind the scenes of the museum world to reflect on the spirit of the objects, the inequality of cultures and the colonialist burden of museums.

As the host country for the 2018 Winter Olympics, South Korea’s national ice hockey team was automatically given a spot in the Olympic hockey tournament. The team would play at the highest level for the first time, facing the top countries in the sport. The skill gap between them and their opponents was huge, as South Korea had just 180 professional hockey players. Failure and defeat weren’t acceptable results, as losing face is considered the worst thing that could happen in Korean culture. But how to avoid humiliation, when defeat seems certain?

Loving someone of the same gender is frowned upon in Sami communities. Sparrooabbán (Me and my little sister) shows what it’s like to be a minority within a minority. Suvi describes how her little sister Kaisa wishes to be accepted as she is. Like her sister, Kaisa is a Sami, but also in a relationship with a woman, and she also works as a deacon. There are obviously more constricting communities in the film than only one.

The secret past of a World War II-era intelligence officer comes to light when his grandson, actor Joonas Saartamo, begins to investigate his grandfather's activities as the leader of a long-range reconnaissance patrol. Meeting various experts along the way, Saartamo discovers a new insight into the crucial role of long-range reconnaissance patrols in war. He also realizes how strongly the weight of his grandfather's war experiences has been passed down from generation to generation, affecting him directly.