Jean Georgescu

A young girl harbors a secret crush (sincere and pure feelings) on a famous writer. She read his every book, so when she hears of the opportunity of delivering a gift to his house she does everything in her power to become the tansporter (and succeeds). Manea is a handsome man, not only a successful writer , women of the elite of Bucharest's society swarm around him all the time.He has just broken up with one of them... It's New Year's Eve,he invites her to spend some time with him...a dream built on snowflakes and champagne. In her naivety and pureness , Dorulet-as Manea caresses her,touches the unseen strings of his heart and soul , which he taught to be long dead,she awoke adolescence (like) emotions in the sleeping lion. I loved this movie and I would like to see it at least one more time.

Mofturi 1900 is a 1964 Romanian comedic film directed by Jean Georgescu and based on Ion Luca Caragiale's many Moments and Sketches. The sketches used are "Diplomatie" ("Diplomacy"), "Amicii" ("Pals"), "O lacuna" ("A gap"), "Bubico", "C.F.R." (abbreviation of "Romanian Railways") and "Din statiune" ("From resort"). The film stars Grigore Vasiliu Birlic, Iurie Darie and Ion Dichiseanu; and features Ioana Bulcă, Alexandru Giugaru, Mircea Crisan, Geo Barton and others. Set at the beginning of the 20th century, the story revolves around two Mitică characters sitting at a cafe telling stories to each other.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

Over at the fictional DRGBP institution, events take a settling turn after a mutinied prize festivity.

The film shows that Romanian peasants were divided between those opposing and those embracing collectivization. The heated debates between the pro and con camps would ultimately lead to murder.

Jean Georgescu reconstructs, from archive images and film fragments, the memory of the beginnings of Romanian cinema, in a documentary narrated by the unmistakable voice of Radu Beligan.