Junko Uozumi

A group of Okinawan high school girls are drafted as nurses during the American invasion of the island. As the enemy army advances further, the situation for the girls becomes increasingly desperate as food and shelter run out and the number of injured climbs, leading to the film's tragic finale.

Live-action adaptation of Ko Kojima's manga "Sennin buraku".

A omnibus movie consisting of the three parts: "Kechinbo", "Yowak" and "Kōshoku".

For the poor, Edo is Hell on Earth, starving under the rule of Tanuma Okitsugi, corrupt councilor to the shogun. But the courageous vagabond called “Kageboshi” (Shadow Avenger), will fight for the common folk, robbing the rich so the people will have rice. Tanuma’s henchmen will hire an evil swordsman to pose as Kageboshi, starting a wave of murder, kidnapping and robbery, searching for two antique sword-guards that will reveal the hiding place of a fortune in buried gold. But who will claim the gold? The poor of Edo, or the conniving Tanuma? Only Kageboshi’s flashing sword, tearing through Tanuma’s bloodthirsty minions, can forestall his wicked schemes.

The All Girl's Rugby Team try to keep their private college from falling into the hands of Yakuza and unscrupulous businessmen.

A sensual love-story between two lesbian nuns.

A young obstetrician-gynecologist, who was betrayed by his beloved, out of hatred for women, turns into a vengeful demon and rapes women one by one.

1962 Japanese movie

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

Japanese comedy film.

1959 Shintoho adaptation of Kyoka Izumi's novel "A Woman's Pedigree".

Rumi (Yoko Mihara) and Emi (Masayo Banri) are sisters who dance nightly at the Blue Moon cabaret, which happens be the headquarters of a drug ring. Offstage, Rumi captivates the gang boss, Iwahara (Shuntaro Emi); while Emi attracts the portly club manager, Yajima (Saburo Sawai). Meanwhile their older brother Shinichi (Ryo Kuromaru), a seaman, is unwittingly assisting Iwahara with his drug running. When Shinichi’s ship is sea-jacked by another drug gang, an outraged Iwahara suspects him of treachery and has him beaten and confined in a dungeon-like basement. Rumi and Emi try to free him, but a gang hitman discovers them - and their attempt ends in failure. Now under suspicion themselves, the girls try to escape, but luck goes against them and they are taken to an island where Iwahara and his crew plan to ambush the rival gang.

A motorcycle courier (Ken Utsui) is recruited to test a new high-speed motorboat but another company is willing to kill to win the competition to bring it to market.

Shintoho crime film directed by Kyotaro Namiki.