Tea Lukač

Germans settled in Vojvodina in the late 17th century. In time, customs and traditions were assimilated and former newcomers became natives and locals. However, WWII puts former neighbors to the test and reveals the best and worst in people. Defeated, collectively guilty, their trace will vanish. What is left is Vojvodina and places they inhabited, quiet witnesses and silent traces of existence.

Boris Mitrović is the biggest Justin Bieber fan in the Balkans. Inspired by his idol, and armed with his manager, a Lamborghini and a fan base on Facebook, Boris is trying to make his show-business dreams come true. While some fans dream about the day they will meet their idol, other fans dream about the day when they will become someone's idol. The film explores the distance between these dreams of love and success and the everyday lives of the fans.

A fascinating story of science-fiction films that tried to predict the future of a socialist country that didn’t live long enough to see it.

Nadia, an eighteen-year-old girl disappeared without a trace not having given any prior notice that she was going to do that. Her father, Svetozar goes in search of her without preconditions where he could find her. During that search he discovers the background of growing up in a big city and the world in which his daughter spends her time for which he himself had no idea that there was.

A silent landscape flashes past the windows of a moving car conveying different sets of passengers. The conversations veer towards such diverse themes as carol-singing, nuclear waste, and the dangers of hornets’ nests. Tea Lukač’s anthropological probe gets by with a minimum of cinematic devices in order to deliver a focused study of the phenomena of memory, history and tradition.