Aleksandr Samulekin

Russia, 1936: revolutionary hero Colonel Kotov is spending an idyllic summer in his dacha with his young wife and six-year-old daughter Nadia and other assorted family and friends. Things change dramatically with the unheralded arrival of Cousin Dmitri from Moscow, who charms the women and little Nadia with his games and pianistic bravura. But Kotov isn't fooled: this is the time of Stalin's repression, with telephone calls in the middle of the night spelling doom - and he knows that Dmitri isn't paying a social call...

Two Soviet humans previously unknown to each other are transported to the planet Pluke in the Kin-dza-dza galaxy due to a chance encounter with an alien teleportation device. They must come to grips with a language barrier and Plukian social norms (not to mention the laws of space and time) if they ever hope to return to Earth.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

During the Russian Civil War, the production of a silent melodrama runs into numerous complications.

Caring Svetlana wants to give her close friend Natalia and secretly sends her data to the dating bureau. After some time, on the threshold of the apartment of unsuspecting Svetlana, two men appear in full bloom ...

Aboard a ship early in the 20th-century, a middle-aged Italian tells his story of love to a Russian.

The end of the 1950s. Aleksandr Petrovich Ilyin travels to the city where he lived before the war. Visiting the telephone operator Zoya, he sees a familiar house through the window and decides to go there for only fifteen minutes. So Aleksandr gets into a communal apartment, where the love of his youth Tamara Vasilyevna lives. They met twenty years ago and fell in love, but the war separated them. Now Ilyin and Tamara Vasilyevna met again, and love broke out with renewed vigor...

The story follows Maria Konovalova who travels from her rural village to visit her daughter Nina in the city. Maria's arrival exposes the stark contrasts between rural and urban lifestyles and reveals deep-seated family tensions. Interestingly, Родня (Rodnya) in Russian sounds very similar to the word Родина (Rodina), which means "Motherland." The film features three generations of women — Maria, her daughter Nina, and her granddaughter Irina — symbolizing three different Russias: one from the past, one modern, and one representing the future.