Hede Beck

The craftswoman Vika loves her secluded life. She is thrown into a tailspin when she kills a burglar one night in the heat of the moment. The guilt haunts her like a dark shadow until she finds her own form of penance.

The near future. Every night the media show new reports about war and terror which constantly loom like a dark cloud over the nation. To protect the citizens from possible air attacks the GNOSIS Corporation has developed a personal bomb shelter for everyone - the new BS-2016. While nearly every household in the city has one installed already, 12 year old Alex is still begging his dad to finally buy one so he can feel safe. As the air raid alarms go off that night and lights from exploding rockets gloom in the dark skies it seems too late: Alex has to face his fears and soon discovers a dark conspiracy that not only threatens his life but the life of his whole family as well.

A 13-year-old refugee from Afghanistan living in an emergency shelter in Germany joins a Christian boys' choir to save his father who was left stranded in Hungary, and clashes with the strict choir master.

Germany, 1946. Hunger, rubble, returning soldiers. Charlotte is pregnant, but her beloved returnee does not want her or his child. In order to win him over and escape the impending shame, she enrolls in the "missing course" of actress Gloria Deven, who was an up-and-coming film star under Fascism and is now banned from working. But Gloria, with her merciless lessons, is not interested in reviving the coquetry of girls that became superfluous in the war. Instead, she awakens in Lotte a longing for something too long denied her: Freedom.

Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.

The life of Karsten, a mortician, isn’t going that well at the moment. Just in time for Christmas, his parents inform him during the festive dinner that they want to commit suicide together. In five days. Usually used to death, he tries everything to convince the dear mother Marion and the father Theodor, suffering from Parkinson’s disease, not to pursue their plan. But the conflict about the self-determined death opens up old wounds – and as Karsten’s own health deteriorates rapidly, it is no longer clear who needs to be saved.

A documentary allowing us to witness genuine conversations with people who know the date of their death.

In the young Federal Republic of Germany, which in the late 1950s in politics and justice is still interspersed with only superficially purified Nazi cliques, leads the Hessian Attorney General Fritz Bauer a lonely fight against the coverup of Nazi crimes and the restorative policy of the government Adenauer - he is firmly convinced that only in this way can the young democracy be consolidated. Not only his attitude, but also his temperament make Bauer vulnerable, again and again resistance forms from politics, intelligence services and the judiciary against the lone fighter.

Behind supposedly natural deaths, young mortician Lisa Taubenbaum discovers murders and turns the whole town against her. When an inspector from Stuttgart arrives, the investigation begins and Lisa gets heavily involved.

Comedy tells the story of an Afro-German punk who starts working as a presenter on a teleshopping channel in order to save the trailer park where she lives with her community.

Kerstin is in great pain. Her daughter Juliane wants to help her die, but the law forbids it. Jessica Krummacher’s second feature describes the most important of events via tiny details that stay with us and get under our skin.

Hell hath no fury like an employee scorned.

Simon is a notoriously suspicious control freak, Lea is more the unconventional type. He has turned his obsession into a profession and works in the security department of a Stuttgart-based food company; ever since he had the employees' access cards fitted with tracking chips, his colleagues have seen him as nothing more than the "Stasi bridge man". Lea dropped out of her degree in food chemistry, is currently working in the company canteen and dreams of driving around in a food truck. She is currently using the old Mercedes bus, a former fire engine that now bears the lettering "Brand Herd", as her accommodation. Two such opposites would never cross paths in real life. In the movie, they can become true love, provided Simon lets himself be kissed awake.

Ukrainian Marija works in Germany as a 24-hour carer to support her family back home. Here she looks after Curt, who suffers from dementia, around the clock. When Curt's controlling daughter stays away due to an accident, Curt begins to think Marija is his deceased wife. In order to have her peace of mind, Marija plays along with the game and she realizes that this makes Curt feel better. But there is also Curt's son, who is more interested in Marija than in Curt.

A mystery thriller directed by Michael Rösel.

The middle of the 21st century. A dystopian drama in an overaged and run-down Germany. When the so-called "Endjährigkeit" - compulsory euthanasia at the age of 80 - is introduced, a father and a son are forced to put their broken relationship to a final test.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

The SOKO Stuttgart team investigates analytically and with sensitivity in the likeable state capital. The exciting cases of the series lead them to bizarre crime scenes and to different milieus.