Directing

Hrafnhildur Gunnarsdóttir

No biography available.

Known For

TeknolustTeknolust · 2002
Teknolust
★ 4.52002
MovieComedyDrama
Anxious to use artificial life to improve the world, Rosetta Stone, a bio-geneticist, creates a Recipe for Cyborgs and uses her own DNA in order to breed three Self Replicating Automatons, part human, part computer named Ruby, Olive and Marine.
Corpus CameraCorpus Camera · 1999
Corpus Camera
1999
MovieDocumentary
An older couple, Sigga and Runni, reveal funeral photos of their long-dead son who died tragically young. After thirty years, the photos still elicit painful differences between a grieving mother and her stoic husband; Rúna a housewife living in the harsh and isolated west fjords keeps funeral photos of a terrible family tragedy. For Rúna, they mark a profound event which forever changed her and which belong side by side with photos of weddings, confirmations and baptisms; Erlendur and his stepdaughter Úlfhildur, after nursing his wife through a long battle with cancer, use photography to record her on her deathbed, in peace at last. And Sigrún, morbidly fascinated with funerals and wakes, compulsively videotapes acquaintances' family funerals as a bulwark against her own fear of death. When she experiences death first hand however, her attitudes change.
The Day Iceland Stood StillThe Day Iceland Stood Still · 2025
The Day Iceland Stood Still
★ 8.62025
MovieDocumentary
When 90% of Iceland’s women walked off the job and out of their homes one morning in 1975, they brought their country to its knees and catapulted Iceland to the forefront of today's global fight for gender equality. Unexpectedly funny, laced with evocative animation and powerfully told by the women who lived it – this is the true story of 12 hours that launched a revolution.
The GlitterstormThe Glitterstorm · 2021
The Glitterstorm
2021
MovieDocumentary
A documentary that chronicles the twenty years of Pride parading in Iceland. Filmmaker Hrafnhildur Gunnarsdóttir has shot the parade from the beginning, with all its pride and power, beauty and sometimes ugliness. She mixes old material and new interviews with activists who reminisce about their participation in the parade, it’s impact on society in general, and what Pride means for the LGBTQ+ community.
OverrideOverride · 2000
Override
2000
MovieRomance
An oppressed office worker is whisked away to a dynamic club scene by a strapping bike messenger.
Sex Is...Sex Is... · 1993
Sex Is...
★ 4.81993
MovieDocumentary
Marc Huestis edits interviews with 15 men, including himself, around a set of topics starting with "what is sex?" The men are gay, living in or near San Francisco. They talk about their first sexual experiences, the gay scene in San Francisco in the late 1970s, the pall cast by AIDS, the safe-sex movement, getting into serious relationships, the illness and death of partners, pornography, S/M and pain, race and stereotypes, personal fantasies, and bliss. Huestis has a thesis, that sex is going to be with us, so how best do we embrace it? His 15 subjects, archival footage, clips from porn films, and close-up looks at men loving men flesh out various answers.
Mongolia: Eternal Blue HeavenMongolia: Eternal Blue Heaven · 1995
Mongolia: Eternal Blue Heaven
1995
MovieDocumentary
Film for an exhibit on Mongolia in San Francisco.
Mother Knows BestMother Knows Best · 2009
Mother Knows Best
2009
MovieComedy
Nanna is a single mother in Reykjavík who lives with her twenty something son Gudni Geir. She is not in awe of any of his various girlfriends and seems determined to ruin all his relationships. When Gudni comes out to her, their relationship changes drastically.

Filmography

Sort
Corpus CameraCorpus Camera · 1999
Corpus Camera
1999
MovieDocumentary
An older couple, Sigga and Runni, reveal funeral photos of their long-dead son who died tragically young. After thirty years, the photos still elicit painful differences between a grieving mother and her stoic husband; Rúna a housewife living in the harsh and isolated west fjords keeps funeral photos of a terrible family tragedy. For Rúna, they mark a profound event which forever changed her and which belong side by side with photos of weddings, confirmations and baptisms; Erlendur and his stepdaughter Úlfhildur, after nursing his wife through a long battle with cancer, use photography to record her on her deathbed, in peace at last. And Sigrún, morbidly fascinated with funerals and wakes, compulsively videotapes acquaintances' family funerals as a bulwark against her own fear of death. When she experiences death first hand however, her attitudes change.

Screenplay