Owen Roth

Stephen Glass is a staff writer for the respected current events and policy magazine The New Republic and a freelance feature writer for publications such as Rolling Stone, Harper's and George. By the mid-90s, Glass' articles had turned him into one of the most sought-after young journalists in Washington, but a bizarre chain of events - chronicled in Buzz Bissinger's September 1998 Vanity Fair article - suddenly stopped his career in its tracks.

Barnaby and Maxine Pierce, an embattled married couple in Connecticut, are on the verge of divorce. Their son is getting married in California and they decide to drive across the country to attend. Along the way, as they visit family and friends, they reflect on their tattered relationship and the events that transpired to create the estrangement.

A teenage boy fights to save the Spirit Bear.

While a small-town sheriff investigates a mysterious multiple murder scene, a brilliant young software engineer is bizarrely linked to the crime and to a much bigger conspiracy.

Mysterious cinematographic events unfold in a very neat little space, like a theatre. A ball gets bigger and bigger and then suddenly disappears: there’s a dog a good head or two taller than a child; a young woman miniscule one second is huge the next… We don’t get it, but just enjoy taking part in a phantasmagorical experience like an audience in the early days of cinema, with filmmakers that have made an illusion out of this art.

An aspiring criminal mastermind (Owen Roth) assembles a crew (Mena Massoud, Ayinde Blake) and schemes to steal an experimental drug from a high profile medical facility.

Jack Reacher, a veteran military police investigator, has just recently entered civilian life. Reacher is a drifter, carrying no phone and the barest of essentials as he travels the country and explores the nation he once served.

When Clary Fray's mother has disappeared, Clary joins a band of Shadowhunters; demon killing hunters, and gets caught up in a plan to save the world.