Erlendur Sveinsson

In the mid to late '90s, the Reykjavik crime and drug scene saw a drastic change from a relatively small and innocent world into a much more aggressive and violent one.. The film tells the story of this change through the fictional gang of pushers that took control of Iceland's underworld.

At a local party in the suburbs of Reykjavik, Hanna (19) and Jonas (20) escape into the laundry room to share an intimate moment, but when boundaries are crossed the emotional aftermath of guilt quickly follows.

Vala and Benni are on the road and struggle to find a mutual purpose in their new destination.

Auður tries to get acclimated to the life on a small island, away from the stress of a modern community.

Alice is a college freshman aiming for law school. On the day her financial aid is cut, her secret identity is revealed to her classmates.

The 11 year old Breki is at constant odds with his older sister Bergdís, but all he wants is her validation. One day when she is out, Breki sneaks into her closet and makeup, leaving the room a mess. When the family returns to the scene, a series of events unfold leading to a long overdue confrontation between the siblings.

This corporate documentary describes one year in the production of herring, starting with marketing speculations and research of the year's possible catch. It shows the herring caught at sea, landed, salted, and tended to until it is exported after passing rigorous quality control. Intertwined with this story is the history of the herring industry in Iceland.

Secrets and butterflies make for one hell of a dinner conversation.

All marketing is done through Coldwater Seafood Corporation, which is an affiliated company of the Icelandic Freezing Plants Corp. Coldwater also own and operate two fish plants in the USA, where they produce great varieties of processes sea-products. The film fallows fish from Iceland to the States, shows the marketing and distribution system and fallows the fish through quality control, processing and finally the distribution.

This one winter's day encapsulates a thousand years fishing and seamanship in Iceland. We gain an insight into an inner and outer world, where manual labour, man's beliefs in nature, Christianity, superstition and even magic are interwoven. We are questioned if we could imagine how this world of the rowing boat crew, wich reflects the ancient class-divided society, really looked like? How did they percive the nature around them, their God in this nature, it's unstable weather conditions, it's harshness when they go to sea to harvest its riches to make it possible for themselves as well as their nation to keep on living on the edge of the habitable world? Here we are face to face with the very foundation of fishing nation's culture.

A film made on the 1100 year anniversary of the settlement of Iceland which gives an overview of Icelandic society and the natural kingdom which Icelanders have made part of their heritage.