Mikhail Lermontov

Based on Mikhail Lermontov's novel Vadim, this costume drama, set in Russia during the 1700s, chronicles the battle between a vengeful, anarchic peasant and the tyrannical landowner who killed his mother and father.

Pechorin, a young officer, embarks on a journey across the majestic mountains of the Caucasus, on a path set by his passionate encounters. Disillusioned and careless, he inflicts pain upon himself and the women around him… The story, based on the larger-than-life hero Pechorin, is adapted from Mikhail Lermontov’s literary masterpiece in three separate stories recounting his heartbreaking betrayals. Is Pechorin a real hero? Or is he a man like any other? This brand new production by choreographer Yuri Possokhov is a tragic poetic journey that can only be seen at the Bolshoi. Filmed live on April 9th 2017.

Screen adaptation of the play of the same name by Mikhail Yurievich Lermontov.

Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights. Now presumed dead by those he loves, he performs for the poor and unfortunate on his journeys through the wilderness.

Based on Lermontov's poem of the same name, Boyarin Orsha (Peter Chardynin) leaves the service of Ivan the Terrible.

The poem "The Tambov Treasurer's Wife" by M.Yu. Lermontov is read by the actor Mikhail Kozakov.

Taken from a Lermontov play, the story begins when beautiful Nina loses a bracelet during a masked ball. Another woman finds it and without revealing whose bracelet it belongs to, she gives it to an ardent Calvary officer admirer at the ball. This leads to deeper and deeper incisions upon the urbane social body of Tsarist Russia. A drama of pride, marital distrust, gambling, infidelity and humiliation twirls around the decaying corpse of a perverted social class.

Grigory Pechorin, a dashing Byronic figure, arrives in Pyatigorsk and gets entangled in a web of romantic ploys and deceptions. Based on "Princess Mary", the longest novella in Mikhail Lermontov's "A Hero of Our Time".

After the death of Bela, Pechorin was unwell for a long time, and then left the fortress and Maxim Maximych and left for Georgia. Since then, the headquarters captain had no news of his friend, often recalled and carefully carried his diaries in his wanderings. Five years have passed... Once at a post station near Vladikavkaz, Maxim Maximych with delight learns that Grigory Pechorin also came here. The long-awaited meeting brings an unbearable pain and bitterness of disappointment to the old warrior. In his hearts, he mercilessly parted with the travel notes of the ensign. And his random companion finds on the yellowed pages the story of the soul of an amazing, extraordinary person who brings misfortune to others all his life.

Screen adaptation of the chapter of the same name from Mikhail Lermontov's “A Hero of Our Time”. Pechorin, having learned about his friend Grushnitsky's passion for Princess Mary Ligovskaya, out of boredom and a desire to annoy the completely false cadet, falls in love with the girl. The film tells about the romantic story of Pechorin, whose reckless love game turns into a tragedy for himself - a man who clearly does not fit into the laws of the time in which fate has sentenced him to live...

Russian officer Pechorin falls in love with Bela, the daughter of a local chieftain. By tricking her brother Azamat into abducting her, he calls upon himself the wrath of horseman Kazbich.

Pechorin is deprived of the officer’s rank and gets transferred to one of the mountain villages of the Caucasus. He gets bored of the everyday life and starts looking for fun. He promises Azamat to help him steal Kazbich’s horse if the former allows Pechorin to marry his sister Bela. Soon Pechorin gets annoyed by Bela’s presence. Kazbich, insulted by the theft of his horse kills Bela. Coldblooded Pechorin is hardly moved by this news.

Based on the Russian classic novel. While maintaining all the main plot-lines of the novel, it follows the events not as they happen but as they are reflected in the mind of the dying hero. Thus make a chain of recollections about the life he had lived through, now seen as a series of irrevocable mistakes and interpreted anew: it is either reconsideration or repentance. Recollections make main hero torment himself over his own past pretenses that seem ridicules now agonize and despair over his perfect indifference to everything except himself, see the horrible aspect of killing his friend, a greenhorn and a show-off. The final action of an intelligent and outstanding man is judging oneself without mercy.

Teleplay based on same-titled drama by M.Yu. Lermontov.

The boring daily life of the high society of Pyatigorsk in the XIX century is revived by the arrival of Pechorin from St. Petersburg. Pechorin’s love affair with Mary becomes the subject of controversy.

The landowner Palitsyn (Chardynin) long and successfully sues the neighbor. The lawsuit led to the ruin. He died, leaving orphans children — humpback a young boy Vadim (Speransky) and three-year Olga. In order to avoid condemnation, the Palitsyn takes the girl to the pupils. The young man vows to take revenge on the offender and leaves this region. Several years pass. Olga (Goncharova) becomes the beauty and object of desire of the elderly Palitsyn. Comes the hour of revenge. Returned and did not learn of Vadim goes to the Lord in slaves. Soon he reveals to Olga the truth about the real family. The girl agrees to help Vadim. Meanwhile, the younger Palitsyn — son Yuri returns to the estate. Olga falls in love with the young landowner and refuses to help her brother. Finally angry Vadim decides to finish with the whole hated family. He goes to the camp of Pugachev to later return to the estate of Palitsyn and take revenge.

The Demon (1960) is a Soviet opera-film based on the eponymous opera by Anton Rubinstein. The plot derives from Lermontov's Demon, a poem which was banned for decades due to its sacrilegious content. The titular demon is a fallen angel, a figure of negation and a brooding anti-hero. He falls in love with Tamara but his love destroys her. The Demon is played by the brilliant Estonian singer Georg Ots.

An anthology series of television plays which aired on BBC1 from October 1964 to May 1970. The plays were usually written for television, although adaptations from other sources also featured.

Horror legend Christopher Lee hosts this anthology in the tradition of Alfred Hitchcock Presents, each half-hour episode adapting a story from a classic author, with tales by Edgar Allen Poe, Fyodor Dostoevsky, Ambrose Bierce, Robert Louis Stevenson, and Oscar Wilde.

1837: Another year of the grueling Caucasian war. A young officer, Grigory Pechorin, was sent into exile to the active army for participating in a duel. Here in the Caucasus, Pechorin will have to become an unwitting participant in rapidly unfolding events - a fight with smugglers, the abduction of a young Circassian princess, another duel. And when the whole world turns against Pechorin, and a close friend falls by his hand, he will continue his journey alone, a hero, a product of the new age...