Rēzija Kalniņa

Donats is a modern-day Don Juan juggling the various women in his life seemingly without any consequences, until he falls in love with Agnese. Her husband, Ralfs, turns out to be a formidable opponent.

The love story of sixteen-year-old Arturs is interrupted by the First World War. After losing his mother and his home, he finds some consolation in joining the army, because this is the first time national battalions are allowed in the Russian Empire. But war is nothing like Arturs imagined – no glory, no fairness. It is brutal and painful. Arturs is now completely alone as war takes the lives of his father and brother. Also, no progress is made in the promised quick resolution of the war and timely return home. Within the notion that only he alone cares about returning home and that his homeland is just a playground for other nations, Arturs finds strength for the final battle and eventually returns home to start everything from scratch, just like his newly born country.

A love circle between a dishonest government employee, a freelance actress, a passionate dancer, and godmother of a local mafia cartel. It could be serious if it wouldn’t be so funny.

A young woman in Stalin-era Riga joins a basketball team, hoping that she will be allowed to travel abroad and see her brother who's living in exile.

A true story of a 17 going on 18 year-old boy called Modris. He’s a guy who goes to school, has a girlfriend and some good friends. He has a small gambling addiction, which makes his relationship with his mother difficult. It’s also hard because the two of them live alone and the mother doesn’t miss a chance to remind him that his father is in prison and that Modris has a bad gene. Their relationship boils over when, in the middle of a Nordic winter, Modris pawns his mother’s electric heater in trying to squeeze a win from a slot machine. She betrays him to the police and Modris is sentenced to two years’ probation. That is when his adventures with the Latvian justice system begin and he sets a new goal: to find the father he has never met.

Members of a class of the 1980s hold an annual gathering. All together spend one night remembering the passions and hopes of youth and realising what has been achieved or missed.

Siblings Roby and Raya after the death of their father and being abandoned by their mother, are forced to live with their dominating grandmother in a small country house owned by their family. Things change after the sudden death of their grandmother. The teenagers have to face a tough choice: either to report the accident and submit themselves to a life in an orphanage or hide the dead body and live as if nothing has happened.

A young couple of biologists and their two children move from Riga to a nature reserve where they're provided with an old country cottage. They start to repair the cottage and feel at home, but the former owner of the house suddenly returns from Canada. When he realises that the present inhabitants have kept the spirit of the place alive, he gives up his rights to the cottage. The film then concentrates on him coming to terms with his memories of his time as a guerilla, when he found his first love, his 'sister-in-arms', who betrayed him fifty years ago. The film also investigates the relationship between the young biologists and nature, and the process of reaching adulthood. The title of the film, The Nest, stands for the surroundings of living nature (the forest, the marshes, the coast) and more generally for the small fatherland that has to maintain its position among great powers such as Russia, Germany and America: countries that largely shape the fate of the characters.