Margaret Stallard

Sidney Turtlebaum is a bitter sweet comedy that tells the story of Sidney, an eccentric gay Jewish man in his seventies. To punish the world Sidney earns his living as a pickpocket and a conman - his chosen modus operandi is to gatecrash Shiva houses of mourning to steal from the gathered crowd.

In the Golden Age of Hollywood, two men had it all; one was a top screenwriter, the other a film idol. But when the witch hunts of McCarthyism swept into Tinseltown, it drove one out of the country and the other to suicide.

Written by Ray Jenkins. Paula is the only girl in the assessment centre who doesn't know the date she can leave. Paula worries about what will happen to her

Drama following the lives of a group of midwives working in the poverty-stricken East End of London during the 1950s, based on the best-selling memoirs of Jennifer Worth.

The adventures of the eponymous Lovejoy, a likeable but roguish antiques dealer based in East Anglia. Within the trade, he has a reputation as a “divvie”, a person with an almost supernatural powers for recognising exceptional items as well as distinguishing genuine antique from clever fakes or forgeries.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".