Nicole Midori Woodford

On the last day for the residents to vacate a high-rise apartment before its demolishment, a young girl, Iris, and her mother are moving out. On a tight deadline, her boyfriend and his friend are also present to help. Iris inevitably gets distracted exploring the vacant spaces of her neighbours, relishing the moment. As they pull away in the rental truck for the last time, Iris sits in the back with her boyfriend, surrounded by her furniture. She allows a small ray of light to penetrate the darkness of the truck. The images of the outside world appear on the interior of the truck; they watch the inverted building before it eventually disappears forever.

Tired of his turbulent family life, Adam seeks out an alternative arrangement in hopes of finding his place.

Ami, haunted by recurring apparitions, embarks on a journey from Singapore to Japan in search of her missing mother. Amidst the transforming landscapes, Ami's dreams, hauntings and lost mother unveil their true form.

A middle-aged woman, her son and mother reside in a flat near a quarry bearing the name of Little Guilin, modelled after a famous landmark in China. She pretends that she is a prospective buyer who arranges to view several condominiums, claiming a token or borrowing a moment from each family that resides in them. Glimpsing the man-made quarry through different windows, her obsession culminates when she finally decides to take an excursion of sorts to visit it.

Bringing together some of the most talented Asian directors working within the genre sphere, this new anthology series creates an atmosphere unlike anything that’s come out of the region before.