Tulik Galon

The flat on the third floor of a Bauhaus building in Tel Aviv was where my grandparents lived since they immigrated to Palestine in the 1930s. Were it not for the view from the windows, one might have thought that the flat was in Berlin. When my grandmother passed away at the age of 98 we were called to the flat to clear out what was left. Objects, pictures, letters and documents awaited us, revealing traces of a troubled and unknown past. The film begins with the emptying out of a flat and develops into a riveting adventure, involving unexpected national interests, a friendship that crosses enemy lines, and deeply repressed family emotions. And even reveals some secrets that should have probably remained untold...

An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.

To all, it appeared as if I grew up in a normal home: a house on a Moshav, with sprinklers watering the yard. My Mother was a kindergarten teacher, and my Father was a farmer. In the nineties, my parents decided to give up their orchards. Instead, they opened a business selling gasoline to other farmers. The business grew, but it was poorly run from our home between the baskets of laundry, piles of cash being counted next to pots of couscous. Everything smelled of gasoline. My Mother pleaded with my Father to sell the business, but he ignored her. Not long afterward, she became ill, and the business collapsed. Our family fell apart. What caused the destruction of my charismatic family that everyone always thought was so perfect?

In 1945, a few months after his release from Auschwitz, Yechiel De-Nur, still in his striped jacket, sat down and started writing. After two weeks, he was reborn as Ka-Tzetnik, “the man from the camps.” The books that he wrote were translated into 32 languages and sold millions, while the author himself hid behind the pseudonym Ka-Tzetnik. At the trial of Adolf Eichmann in 1961 his revelatory testimony revealed his true identity as he described Auschwitz as “the other planet,” a place outside of human judgment. Years later, undergoing an experimental LSD treatment for trauma, he revisits his experience, imagining himself as a SS officer, and that changes everything.

Suzan, an Arab-Israeli woman, must reshape her identity when she discovers at 35 that she was born intersexual.

In a Jaffa bra shop's fitting room, women's love-hate affair with their bosom buddies unfolds. As each heroine struggles to find the perfect bra, she bares not just her chest, but her soul, sharing tales of triumph, tribulation, and the occasional wardrobe malfunction. For breasts aren't just fleshy accessories-they're the protagonists of our life's epic. From the awkward moment they first break out, to the sobering reality checks of mammograms, our relationship with our "girls" is a bouncy roller-coaster of ups and downs because life, much like a poorly fitted bra, is full of surprises. This film unravels the mystery, myth, and full support between women and their breasts. It's a story that's written on our bodies, in every curve, contour, and stretch mark.

Dr. Rudy was an iconic psycho-guru and founder of “The Rudy Psychoanalytic Institute” – the largest in Israel during the 70’s. His controversial therapy methods forced him to fight for his reputation and the institute’s survival. His demise raises questions regarding abuse of power and moral boundaries.

In a Jewish Orthodox village in Israel, Tamar, a twelve-year-old girl, prepares for her Bat-Mitzvah (confirmation), which will take place on Passover. Becoming convinced that she is impure, and growing increasingly scared and depressed, she forces herself into an endless ritual of cleaning, while attempting to silence the whispering inner obsessional thoughts that are detailing every inch of her relentless guilt, over and over again. To make matters worse, Tamar's only friend, Rachel, lures her into sinful mischief: peeping into the Mikveh (bath house), turning a light on during the Sabbath. The girls even dare to secretly bathe at the Mikveh when Tamar gets her first period. Will Tamar succumb to her fears? A dark and unflinching portrayal of Obsessive-Compulsive Disorder and the inner turmoil of an adolescent girl.