Mariano Llorente

Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

A disgraced basketball coach is given the chance to coach Los Amigos, a team of players who are intellectually disabled, and soon realizes they just might have what it takes to make it to the national championships.

"Since the dawn of time, men have hunted while women have cooked and raised children. It's only natural, isn't it?" That's what he said to her on their first date.

Daniel, a homeless, scrapes by Madrid streets. Aina, a young NGO worker, tries to help him, without success. Insistent, she will discover Daniel’s past, a top executive who got fired leaving his family. Daniel will be able for the first time, to face to his old life.

Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.

One summer, Dario flees the hellish environment of his home. Luismi, unconditional friend, a poor devil with pretensions of winning, and Antonia, an old woman who collects abandoned his motorcar furniture, become his new family. Three generations living together in a city too big to be alone.

He's the bartender at a bar with no parishioners. There he spends his nights yearning for good times, now that he can not even attract his only neighbor: a stray dog. He only has his Pomace to attract some clueless soul. However, he prefers something much more select, human blood. His luck changes with the arrival of two visitors but the Fortune has reserved a surprise for him. Their new preys are family. Amancio has to choose between ending his lonely existence or his thirst for blood.

After losing her job as a computer programmer, Lucía decides to become a cab driver.

An account of the personal life and genial work of Benito Pérez Galdós (1843-1920), the greatest Spanish writer of 19th century, a journalist, a novelist, and a playwright; a free independent man who narrated with a firm hand the history of the most troubled era of modern Spain, both that of the rulers and powerful characters and that of the humble people.

A fusion of film and theatre based on the play of the same title by Micomicon. The film shows the play and its creative process. After her mother's death, Antonia finds a box which takes her and her daughter on a trip through Europe to former Yugoslavia. Remembrance, exhumations and wars. Life will not be the same.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

Acacias 38, the address of a stately apartment building where our stories unfold, is set in 1899 and tells the story of a group of maids and the bourgeois families they serve, in a single block in a distinguished neighborhood of a large Spanish city. Two worlds colliding in a universe of crossed lives.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

A soldier from the 15th century, a university student from the 19th century and a nurse from the present join the secret 'Department of Time', a secret department within the Spanish government with the ability to travel through time. Their mission is prevent changes in history.

Charting the life of Isabella I of Castile, one of the most important women in Spain’s history, Isabel follows her passionate story from childhood to being crowned Queen. From her political struggles within King Henry IV's court to her wedding to Ferdinand of Aragon, the drama encapsulates the passions, emotions and sacrifices of a woman who refused to just be a figurehead and whose outlook was ahead of her time.

Max is a Jack Russell dog genetically modified for criminal purposes so he is able to talk. Running away from the criminals he's working for, he is wounded, then saved by detective-wannabe Alberto, who is fire and house-hunting. They end up staying with Alberto's sister-in-law Marta and her two children. Thanks to them all, Alberto finally manages to be a detective, and he and Max establish their detective agency: Sabuesos.

La Chica de Ayer is a Spanish television series which first aired on the channel Antena 3 between 26 April and 14 June 2009. A detective show, it was based on the British series Life on Mars which featured a policeman suddenly transported back to 1973. The Spanish version of the show was set four years later, in 1977, and took its name from the Spanish song "La Chica de Ayer" by Nacha Pop in a similar manner to the British version which was named after the David Bowie song "Life on Mars". It featured Ernesto Alterio in the role of Samuel Santos, a modern-day police officer who finds himself in 1977 post-Franco Spain under the command of Quin Gallardo, a tough old-school policeman contemptuous of his modern methods.