Michael Schindegger

Fourteen-year-old Jasmin longs to be near her biological mother, Eva. Following her mother’s release from prison, an excursion into the country together becomes a first test for the fledgling mother-daughter relationship. They smoke, dance and stroll together – the mood is promising. But time and again, it is revealed that their needs and expectations are light years apart. For the moment, neither Eva nor Jasmin seem up to the task of fulfilling each other’s need for identity and support. (Talea is Italian for scion, a detached shoot or twig containing buds from a woody plant, used in grafting.)

Alex works as a project manager for an automobile parts supplier and is sick of it. It's obvious just looking at him. When the next project is announced already at the final meeting for the last one, he leaves without a word and decides to change his life. He meets Anna, a film student, and lapses into the idea that she should shoot a documentary about his life. Maybe it will be easier for him to start a new life after first passing review over the old one?

In the 1970s, children believe they have spotted a strange creature in the murky waters of Lake Neusiedl while swimming...

An international topic documentary on feminism and gender equality. The film reflects on current debates and analyses the potential of intersectional feminism to profoundly change our future societies.

Marie Theres is a perfectly assimilated German in Vienna. She is a good wife to her husband Alexander, an understanding mother to her teenage daughter and a successful and respected doctor, who cares deeply about her patients. One day her perfect life falls apart: her husband leaves, her daughter rebels, she makes mistakes at the hospital and her friends abandon her. Then she meets Fa, a self-confident Iranian woman. The two fall in love with each other and Marie Theres starts to learn to put her own needs and wants first.

In his essayistic documentary Sigmund Steiner investigates the work, lives and generational relations of three Austrian farmers. Even though none of them are his father, each one of the film's protagonists reflects on one aspect of Steiner's complicated father-son relationship.

Salzburg. A few weeks before Christmas. Franz, in his late forties, secretly dreams of a career as a rock guitarist, but in real life he ekes out an unsuccessful existence as a music teacher. In addition, his marriage to Linn is in deep crisis and the pubescent daughter Julie hardly speaks to her parents.