Carol Moore

John, a 35-year-old window cleaner, has dedicated his life to bringing up his 4-year-old son, Michael, after the child's mother left them soon after giving birth. When John is given only a few months left to live, he attempts to find a new, perfect family for Michael, determined to shield him from the terrible reality of the situation.

The story of former Ulster Volunteer Force member Alistair Little. Twenty-five years after Little killed Joe Griffin's brother, the media arrange an auspicious meeting between the two.

Three estranged siblings reunite at the family home for their late mother’s wake, prompting an inheritance battle that turns deadly.

Lost soul Dermot is newly widowed and turns to an unusual pastime to process his pain. But his gatecrashing of every wake he can across rural county Antrim doesn’t go unnoticed. The new funeral director and her young son catch him in the act but then make him an offer he surely can’t refuse.

Set in a post-Troubles Northern Ireland, The Truth Commissioner follows the fictional story of Henry Stanfield, played by Roger Allam, a career diplomat who has just been appointed as Truth Commissioner to Northern Ireland. Eager to make good as a peacemaker, the Prime Minister urges a commission following the South African model of Truth and Reconciliation. But, though Stanfield starts bravely, he quickly uncovers some bloody and inconvenient truths about those now running the country; truths which none of those in power are prepared to have revealed.

In 1976 the British Government put an end to the special category status of prisoners from the Provisional Irish Republican Army, no longer treating them as prisoners of war, but as common criminals. Mairéad Farrell – on whose life much of the film seems to be loosely based – was the first woman Republican to be refused political status in 1976. By 1980, when the film is set, Margaret Thatcher was Prime Minister and doggedly resolute: “There can be no question of political status for someone who is serving a sentence for crime. Crime is crime is crime.” Silent Grace seeks to capture the struggle for the restoration of political status that was at the heart of prison protests in Northern Ireland – not just by the more celebrated male prisoners – but by a smaller number of women prisoners, led by Farrell, at the Armagh Women’s Prison.

Comerford’s signature sharp realism infuses this drama about Reefer, an ex-IRA man who picks up hitch-hiker Teresa, a pregnant woman trying to overcome a drug addiction. They head to the trawler where he lives with friends Spider and Badger, that operates between Galway and the Aran Islands. The makeshift family are forced to turn to crime to make a living.

Ian is a struggling actor who finds himself in the unconventional role of a professional mourner. As he tours the Northern Irish countryside, his practiced mask of apathy begins to slip amongst the humour and heartache of the local funeral circuit.