Gisèle Schmidt

Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves

In the early 1940's, Canada is a country at war and Florentine is a young woman, from a very poor family, looking for love. She meets two suitable men, a nice soldier from a good and wealthy family, and an ambitious self-centered engineer. She must decide whether she wants to follow her head or her heart...

In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.

L'Amour avec un Grand A is a French-Canadian television series which aired from 1988 to 1995. The series explores different complex sexual and taboo issues. Some notable subjects include: Rape, Teen Obsession, Age Difference in love, Homosexuality and Married, Schizophrenia, Spousal Abuse. The series lasted 7 years and was very popular in Quebec. It was written by Janette Bertrand.

La Petite patrie was a French Canadian television programme from Quebec. It was broadcast between 1974 and 1976. This television serial of Claude Jasmin told the life of a district of Montreal formed by the quadrilateral of the streets Saint-Denis, Beaubien, St-Hubert and Bélanger the shortly after the war. The main character and narrator of this television serial was Clément Germain, adolescent of 17 years who lived in this district with his family. Through the memories of Clément, viewers discovered this neighborhood during the years of Duplessis; with its trams, its ice deliverymen, its guénillou and its anglophone Chinese launderer among others. At that time, bread cost 5 cents, Maurice Richard was at the peak of his glory and the Rivoli theatre had not yet been replaced by a Jean-Coutu.