Randa Maroufi

Portrait of youths in an abandoned amusement park in Casablanca, in meaningful tableaus inspired by social media. "I am here, I exist."

Bab Sebta is built of a series of reconstructions of diverse situations observed in Ceuta, a Spanish enclave in the North of Morocco. A place where manufactured goods are entering the state exempt of taxes, to be sold at a discount prices in the cities of northern Morocco. Every day, thousands of people engage in cross-border exchanges of all kinds, more or less legal. Based on situations witnessed while crossing the border, this experimental video reconstructs the mise-en-scène of this unique place, involving real smugglers and police reports on trafficking, tricks and occasional tragedies.

Jerada is a mining town in Morocco, where coal extraction - officially halted in 2001 - has continued informally to this day. L’mina reconstructs current activity in the pits through a set designed in collaboration with the local residents, who perform their own roles on screen.

Depicting a transvestite who worked for a family without them knowing her gender.