Martin Walker

Set in the India of the British Raj, the evil and untrustworthy Prince Guhl (Raymond Massey) plans to wipe out the British troops as they enjoy the hospitality of Guhl's spacious palace. It's up to the loyal young Prince Azim (Sabu) to warn the troops of Guhl's treachery by tapping out a message on his drum.

Wartime commando story based on fact. Allied airman risks return (on the ground) to occupied France for the honour of his regiment.

A struggling playwright in 1850s Paris and his mate finds love that furnishes him with the inspiration he has long sought.

Set in Claverly Village, it follows the fortunes of the Rookebys (Clements) and the ne'r-do-well Appleyards (Williams) from the time of the Normans, 1588, 1804, 1914, and 1940. Made to support morale during the war, its message is basically that you can't suppress the British; they've been there since the beginning; they'll be there to the end.

The unruly schoolgirls of St Trinian's are more interested in men and mischief than homework and hockey. But greater trouble than ever beckons when the arrival at the school of Princess Fatima of Makyad coincides with the return of recently expelled Arabella Fritton, who has the kidnap of a prize racehorse on her mind.

Set against the backdrop of the 2011 UK summer riots, Jamie, a young female offender who possesses a remarkable voice, meets a determined social worker who inspires her to use it.

A British District Officer in Nigeria in the 1930s rules his area strictly but justly. He struggles with gun-runners and slavers with the aid of a loyal native chief.

Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.