Kōichirō Ikawa

The story of an angel who encounters a series of men in a public toilet. A fable about identity.

The first in the “Reiko Married Woman” series, which is a visualization of the sensual novel by Kaoru Kosuga, who was well received at “France Shoin”. The daily life of Reiko, who lives in peace with her gentle husband, collapses with a single letter. Reiko goes to his room at the request of Hongo, a man who picks up her lost ring.

From the sensual novel series of "France Shoin Bunko", the same masterpiece based on Kaoru Kosuga is visualized. Mariko had a physical relationship with her student, Ikuo, who died in an accident and was wearing black lingerie in her mourning, but she met Ikuo with two students...

Yuka, a high school girl who lost her mother at a young age and lives with her father, has secretly been in love with her cousin's husband, a university lecturer named Inoue, since she was nine years old. One day, the Inoue couple move into the neighborhood, and Yuka's previously suppressed desires begin to flare up.

A modern Japanese family loses their youngest son in a tragedy. The mother, Misako, plunges into depression and the oldest son Akira starts blaming himself for the death of his brother.

The pink movie director Mikami was selected as the new heroine by Makoto Kono, who had worked with him only once when he was an assistant director. He was a gentle beauty and a Madonna with a longing heart.

Newly married Kazuo is troubled by the word "Takaraboin" that his wife Chiharu muttered in her sleep. One day, Kazuo learns from his uncle Kenji that "Takaraboin" is a sexual position. When Kazuo finds out that Chiharu had been dating Kenji before they were married, he decides to take revenge together with Kenji's wife.

Jouji gets a job as a tutor. His student is a beautiful girl Naomi, but she works Jouji very hard. After then, Jouji has a nightmare of the snake.

Takashi and his wife Misako, who lost their beloved son in a trapeze accident, have never recovered from the shock, and have kept the urn in their bedroom because they do not want to leave their son's ashes. One day, the couple hears that they can see their son if they go to the old Isejin Tunnel.

One Sunday evening, Kyoko found a young man about to jump into the river. He told her that he was depressed because he hadn't been able to find a job. Kyoko brought him to her office where she would be working from the next day and had passionate sex on the desk. It continued until the morning...

When her older sister disappears, she meets the man she left behind every night. When her parents don't come home from work, they sit in the kitchen and have an idle conversation. The man asks her to eat a clam. A woman mumbles, "I have sand all over me", and scours the kitchen floor like a mollusk. The man wipes the woman's neck when she asks him to wipe off the sand. The camera lingers on the faces of the two men and the rummaging in the sink as they mutter idle conversations about sand. This is a dense cinematic space, where the hot, rough texture of the sand makes your whole body tingle. The coquettishness of the woman's hair, her neck, her lips, her tongue, her gestures and her voice, captured by the gazing camera, is an intense eroticism. This is a work of high perfection in which the artist's unique world of sensuality is penetrated.