Mary H. O'Connor

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

Roseanne (Ethel Clayton) has grown up near some diamond mines in South Africa. As a child, she became ill and a Malay nurse, Rachel Bangat (Fontaine La Rue) promised to cure her. That she did, but she also worked some voodoo on the child, who, as a grown up now displays a powerful desire for diamonds and the ability to throw evil curses on those who displease her.

Nina, a blind girl, lives with her grandmother, who has taught her to make artificial flowers, which she sells at a flower-stand. Nina, and Jimmie, a crippled newsboy who sells papers on the same corner, are sweethearts. Nina's grandmother dies, and she turns to Jimmie. One day Jimmie has a fight with another newsboy, whom he thinks is hanging about Nina's stand too much, and the other boy is soon begging for mercy. Miss Fifi Chandler, an artist, happens to be passing, and becoming interested, she accompanies Nina and Jimmie to their rooms, and is surprised to find that Jimmie is an artist, having made a beautiful plaster cast of Nina. Fifi brings Jimmie and his protégé to the notice of her fellow artist, Fred Townsend, who falls in love with Nina.

Lillian Vale is the naïve and unworldly daughter of minister Josiah Vale. Swept off her feet by handsome Robert Powers, Lillian marries him, unaware that he is constitutionally incapable of fidelity. Led astray by vampish Hattie Lee, Powers follows his new paramour to the Big City -- the first of several bad decisions which culminate in disaster for the errant hero.

A widow's husband returns after her second marriage, and dies while assaulting her.

A homesteader (Constance Talmadge) shoots a man she believes is a "claim jumper," only to discover he is a government inspector. The film follows her as she tries to protect her claim from schemers while navigating a confusing and overly complicated plot with many side stories.

A 1917 film directed by Paul Powell.