Sina Fiedler-Engel

18-year old Georg and 13-year old Barbara have been playing together as children. Play becomes love later, which leads to a catastrophe , as their parents are hostile leading to file a report to the court, as Barbara is still under age.

In 1864, American soldiers massacre a Cheyenne village at Sand Creek. Disgusted by the massacre, Harmonika, one of the soldiers, deserts the army and is captured by the Indians. At first, the Cheyenne hold him responsible for the murder of the wife and the son of their chief Grauer Esel, but soon Harmonika obtains the tribe′s confidence.

After the death of their father, 18-year-old Helene Raupe (“coccoon”) and her younger sister Asta come under the guardianship of the youth welfare office in East Berlin. Helene fails miserably as a fishmonger, fashion assistant and bus conductor, all jobs ordained for her by the authorities. The young woman really only “emerges” in her fantasies, where she can escape from her dull, normal life.

A crime writer on a train to Berlin shares her compartment with a mysterious man who claims to be a cannibal. Initially intrigued, she tries to humorously dismiss his claim while her imagination sparks a new novel featuring Detective Rosa Roth, who investigates a similar case. As the journey progresses, the writer’s confidence fades, replaced by fear and mistrust. The man’s behaviour becomes more unsettling, especially after a young girl reports inappropriate comments from him. In the dining car, he claims to have eaten a fellow passenger and reveals his tools are nearby. Despite her fear, the writer is drawn to learn more about his methods, blurring the lines between her novel and reality. Ultimately, her fantasy merges with reality, leading to dire consequences.

At the beginning of the 50s, two extremely disparate men meet in a private sanatorium for consumptives: an officer in the People's Police, Josef Heiliger; and a young Protestant curate, Hubertus Koschenz. On account of their consumption, they have to share a room. Initially, this is the only thing they have in common. The film explores Hubertus's struggle with his sexuality within the context of both the church and the socialist state.

The main character Otto, the "best man", is a copy of the illustrious Mister Bean. He takes on an apprenticeship as a building-worker, which makes him a member of a building brigade. At the same time Otto tries to start a love affair, which he handles even clumsier. Never the less Otto makes progress with the lady in question, a single mother, who apparently doesn't mind. Actually he wanted her sister, but a retired Leninist party member changes his mind. This gives him the courage to persevere in his work, albeit with the helping hand of the obligatory retired party member. And behold, in the end Otto invents a new method of building, which saves the brigade many hours of work.

In a post-war village, children and young people come together to form a gang to do justice their own way. They go astray, commit crimes and have to realize that the 'objective chance to change life' does not necessarily coincide with their own subjective views and their implementation.

Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.