Titi Rajo Bintang

Wati and Sri are Indonesian domestic helpers in Hong Kong. At the port, they play a simple game. Whoever wins, can take whatever inside their employer's groceries. But then.. Strangely, the game became an absurdity of their existence.

Adjeng lives alone in an apartment paid for by her boyfriend, a rich businessman. A writer of children's stories, she wishes to write short stories for adults; in this, she is mentored by Asmoro with whom she is also having sex. Meanwhile, Adjeng's mothe handles various aspects of her life, constantly calling her and making surprise visits. This has led Adjeng's friends, Venny and Andien, to tease her about her overbearing mother.

Adolescence is the most wonderful time but it turns out that adolescence have many issues, ranging from love, family, and the consequences for the actions.

Adam, the mortuary officer in a hospital questions the idea of "identity" of a person, due to his own unknown past and his own lack of an identity. So he only feels alive when he is among dead people. Adam eventually falls in love with a woman without a name. Through her, he is able to find his true self and this leads him to fight for the woman’s right to live.

Rayya is a great artist, diverse talents. She's an actress, musician, singer, and even a model. The glamorous world that many people dream of is already in the grip. The arrogance that usually comes with success was embraced. But, the success of weakening Rayya was 'dumped', the momentum was the trigger that turned Rayya's confusion into a plan to stop his own life. about him with the hope that in the end there will be nothing left. Arya is a middle-aged photographer who also has her own problems. The man who found a way out of his problem thanks to Rayya. Both of them proceed together to find light above light

Kota, trapped in a confined space, watches her friend Alam dance freely in nature. Alam’s graceful movements reflect the harmony with the environment. In contrast, Kota’s dance is a desperate response to her restrictive surroundings, mirroring her mother’s struggles. As Alam extends a hand of friendship, Kota gradually breaks free from her confinement, learning to embrace the natural world and dance harmoniously with her friend.

Orphaned by a tragedy that took the lives of her parents, Srintil grows up in a poor Indonesian village aspiring to be a sacred dancer.

Purnama, a street child who lives in a halfway house. He was affected by amnesia due to being hit by the car of Mr. Surya, a businessman who is a workaholic and still lives alone.