Ezio Di Monte

At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners -- who are freed by the blast -- Miranda becomes a revolutionary hero against his will.

Three partisans bound by a strong friendship return home after the war, but the clash with everyday reality puts a strain on their bond.

Two neighbours — a persecuted journalist and a resigned housewife — forge a strong bond on the day of Adolf Hitler's historic 1938 visit to Rome.

The work-shy, lazy Germanicus is taken to Rome by slave traders and sold straight to the nouveau riche Roman Tusnelda. He manages to escape, but only to end up in the next misery as a taster at the imperial court. When the emperor dies, he is arrested as an emperor's assassin and is to be thrown to the tigers in the arena.With the help of the black slave Saba, he manages to win the deadly fight and is proclaimed - against his will - the new emperor of the Roman Empire.His pragmatic ideas as a statesman explain why the Roman Empire ended so abruptly. At the side of Saba, who is elevated to empress, he returns to his home village of Sumpfing, where he now promises himself completely new perspectives ...

Bizarre events keep occurring in an old mansion, and it's soon become obvious that something mysterious is up in the attic.

A background of rising fascism in Venice in 1930s. A music-student, Matthias, mixes with the town's bourgeoisie and falls in love with a mature teacher, Carla, the mother of his friend Renato, and then with his young colleague, Elena.

After the liberation of Auschwitz, an Italian prisoner of War begins a torturous voyage home to Turin, through a Europe caught between war and peace.

In Caro papá, Dino Risi is telling the story of the decadent lifestyle, and dysfunctional family, of a wealthy businessman (played to perfection by Risi's favorite leading man, Vittorio Gassman). Risi paints his portrait against a backdrop of an Italy where the new permissiveness has run rampant, traditional socio-cultural values have been usurped by consumerism, and the streets have become an open battleground for politically extremist groups (the '70s were dubbed "The Years of Lead" due to the great number of terrorist acts, and politically motivated assassinations).

New year's eve at "The Islands" condos. An aging countess's party is crashed by the soccer team from her gigolo's town. While dressing for a dinner party, the wealthy Guilia discovers her husband's affair with her best friend and vows revenge. Next door, a family prepares their vintage Dodge for a drive through the streets. A call girl ties up a lawyer while, unbeknownst to him, three men await the right moment to break into his office. Across the hall, a woman downs pills in a lonely suicide attempt. Two young men hide out in a bedroom smoking dope; one of them has some dynamite. As midnight approaches, each group draws closer to grotesque tragedy.

Niccolò Vivaldi is a cello player and he plays in Arena di Verona Orchestra. But he is not the first and neither the second cello. He is frustrated. Nobody can remember his face, nor his name. Niccolò is married to Costanza, who is really beautiful and he takes some pictures of her naked. Later he shows the pictures to a friend and so he feels better. He starts to write a comic opera called "Il merlo maschio" only to discover later he had written Rossini's "La gazza ladra". To maintain his self-esteem he can only show his wife...

How the Italian Fascist Party managed to turn the physical elimination of a political enemy into a test of strength fundamental for the ascent into the totalitarian regime.

Faccia di spia tries to tell the story of the CIA and other government intelligence agencies with lots of re-creations and dramatizations and points out some of the more brutal aspects of the intelligence community from around the world. Wars are started, all facets of everyday life are controlled, innocent people are tortured needlessly and subjected to extreme violence.

Splendor is the name of an old movie theater managed by Jordan, who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost Quixotian quest from projectionist Luigi and ushurette Chantale.

Antonio Barozzi moves from Lago Maggiore to Rome to become an actor. He does not realize his agent and acting coach are only manipulating him to further their own careers.

Love blossoms between crusader Bradamante—a woman knight wearing an invincible suit of armor—and Moorish prince Ruggero. But a sorceress predicts to Bradamante her beloved will die in battle at the hand of fellow Christian paladin Rolando, whom in turn is in love with Isabella, Ruggero's sister.

Tina is on trial for the murder of her lover, Gino. The violent nature of their relationship, revealed in the trial, seems to make obvious that she accidentally killed him during a fight. The lone female jury member compares her life to Tina's and, believing her to be innocent, sets out on her own to find a missing witness that can prove Tina's innocence.

Time after time, soldiers of the Italian Army are forced to leave their mountain trenches in attempts to storm an enemy fortress, always with the same disastrous results. As casualties mount, indignation spreads among the rank and file. Disturbed by his superiors' decisions, Lieutenant Sassu is led to question the purpose of war and reconsider where his real duties lie.

A funny, witty and bright biopic by the master of italian comedy Mario Monicelli about the famed italian composer Gioacchino Rossini, here portrayed in a wonderful way by famed actor and later director Sergio Castellitto.

Eight Italian politicians from the communist party gather on a terrace in Rome for a get-together. They discuss about their past, present and future.

In a hidden corner of Cinecittà there is a magical place that no one knows about and that was about to disappear. It is STUDIO EL founded in 1983 by Ettore Scola and Luciano Ricceri. A creative space, a sort of Renaissance workshop, a factory. A place where the two great friends prepared their great films in Cinecittà, but where they gave the opportunity to many young people to grow and improve their professionalism. After the passing of Ettore Scola and Luciano Ricceri, time at Studio E.L stopped along with many objects that are the memory of almost 40 years of history of our cinema. Before Studio EL closes forever, becoming a museum space inside Cinecittà, we would like to give the objects it contains the value they deserve and tell their stories.

Sylvia, an industrial scientist, is troubled by strange hallucinations related to the tragic suicide of her mother.

In the French countryside, circa the 17th-century, Serafina, Pulcinella and Isabella are three lusty, beautiful members of a travelling theatrical troupe, leaving in their wake a crop of broken hearts.

A couple of young movie makers have secretly filmed for over a year what was going on in a hotel room, trying to realize a "live act" of common people living their life. They get in touch with old and money-tight producer Mengaroni to edit their movie, but while they contact the accidental actors for gathering authorization, he starts to manipulate their work.

Two textile traders, with the shop close to one another, fight for the supremacy of their own business during the racial laws in 1938 Italy.

Drama about love and intrigues in ancient Rome during the times of Nero.