Antonín Dvořák

A college student gets pregnant without having intercourse, affecting people close and unrelated to her in different ways.

The theatre masterpiece by Antonin Dvořák, written in 1900, is a recurrent title on the season programmes of major European and American theatres. Strangely enough, it has never been performed at La Scala. The ambiguous fairy tale about a nymph who takes human form for the love of a prince who will betray her and only repent at death is fertile ground for the much awaited return of Emma Dante, whose career took wing precisely at La Scala with a felicitous production of Carmen. Making their debuts Piermarini’s auditorium, on the other hand, are the director of the Welsh National Opera Tomáš Hanus, a specialist in this repertoire, while Olga Bezsmertna will be in the title role.

Desperate to raise money for the experimental surgery that could restore his blind fiancee's eyesight, Toxie accepts a lucrative job with the evil multinational conglomerate Apocalypse Inc.

Renée Fleming sings one of her signature roles, the title character in Dvořák’s sumptuously melodic Rusalka. The story of the opera, which is about a water spirit’s tragic romance with a human prince, is drawn from several folktale sources including Hans Christian Andersen’s “The Little Mermaid.” Star conductor Yannick Nézet-Séguin leads a cast that also includes Piotr Beczala as the handsome Prince whom Rusalka yearns to love; Dolora Zajick as the cackling swamp witch Ježibaba; Emily Magee as the Foreign Princess, Rusalka’s rival; and John Relyea as Rusalka’s father, the Water Sprite.

Celebrated violinist David Garrett gives an unforgettable concert at the ancient theatre in Taormina, Sicily with a selection of rearranged works by Dvorak, Saint-Saëns, Schumann, Vivaldi and Fritz Kreisler.

An enterprising producer believes he has hit upon a winning concept: a program of original animated shorts set to classical music. Undeterred by warnings that this has already been done by an American named 'Prisney,' he rallies an orchestra of geriatric women, a bullish conductor, and an animator that he keeps locked in the dungeon. What could go wrong?

A portraitist camera wanders through the fields and forest of Moore State Park absorbing all of its natural frescoes.

An old man repairs a chair with great care. However, his goal may differ from that of other people.