Amir Esbati

Someone’s been murdered and the police is investigating in a stadium, the crime spot. They have arrested the murder suspect and they just try to find out the murdering procedure, however, it is quite complicated and the friends of the murdered person are not to be very collaborative.

A director is remaking a classic Iranian film in Tajikistan. The studio armorer is worried that the gun they intend to use is not a prop gun, and fears the consequences. A young woman arrives at the location insisting that she be given an audition. At the same time, In another part of town, Sara, recently recovered from a car crash, suddenly realises that her accident was all part of a conspiracy. These people’s destinies inevitably intertwine.

During the uprising to overthrow the Shah's regime in Iran, protestors set fire to movie theatres to protest Western culture. Forty years later, four people decide to re-create the past by burning down a theatre.

Mohammad Javad Halimi is a simple government's employer who manages after years to buy a house for himself outside the city's limits. But in the second night in his new house a thief is coming to his house. He manages to catch the thief but delivering him to the authorities is another story.

Forough Kia is a film-maker who got divorced from her husband many years ago and now is living with her son Maani. She decides to make a documentary about perfect mothers. In order to do so she meets many mothers to chose the perfect mother among them. She finally decides to quit making this film because of tiredness but doctor Rahbar wants her to continue. Maani is teasing her every day preventing her from marrying doctor Rahbar but she finally decides that she wants to marry him.

"Invasion To Interpretation" is the title of the performance lecturer that Nasim Ahmadpour performed in 2018 during the Fajr International Theater Festival in the off-stage section and in the conference hall. This video has been designed on the sidelines of the making and showing of the film "Invasion" Directed by Shahram Mokri.

Siavash, a young man burdened by the mysterious suicide of his father, finds himself entangled in a web of family intrigue. His uncle, managing his father’s estate, seeks to marry Siavash’s mother, a union Siavash vehemently opposes. Amidst this turmoil, Siavash’s love for his cousin Mahtab, whose father is his uncle’s councillor, complicates matters further. As the day of the union approaches, Siavash is struck by a profound realisation: his life bears a striking resemblance to Shakespeare’s Hamlet. This revelation ignites a series of questions, challenging his understanding of the true nature of his father’s death.

Award-winning Iranian filmmaker Rakshan Banietemad ends her eight-year hiatus from feature filmmaking with this ingenious, mosaic-like narrative, which knits together the stories of seven characters to create a microcosm of Iranian working-class society.