Anthony Trollope

A tough young girl lives with her aging grandfather near a cove on the coast of Cornwall. She supports herself and him by gathering seaweed to sell as fertilizer. A cocky young neighboring boy decides to help her with the work.

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

This sprawling BBC saga follows an aristocratic family through three generations of power, wealth, intrigue, and scandal in Victorian England. Based on Anthony Trollope’s “political” novels .

A man's unfounded jealousy destroys his marriage after he forbids his wife from seeing her godfather, leading to suspicion, separation, and tragedy.

Anthony Trollope’s epic tale of Victorian power and corruption, set in the 1870s. Within weeks of his arrival in London, financier Augustus Melmotte announces a railway is to be built from Salt Lake City to the Gulf of Mexico and entices distinguished members of England's land-rich, cash-poor aristocracy into his web. Many are eager to sell their ailing land parcels to afford moving to London proper and naïve speculators are all lured in with promises of an instant fortune.

The story of the penniless Mary Thorne, who grows up with her rich aunt/cousins at Greshamsbury Park estate.

The Barchester Chronicles is a 1982 BBC television serial produced by Jonathan Powell and dramatised by Alan Plater, based on Anthony Trollope's first two Chronicles of Barsetshire, The Warden (1855) and Barchester Towers (1857). Against the sumptuous background of Peterborough Cathedral and its environs, one is carried into Trollope's world of the intriguing machinations of the clerical establishment of Barchester. Backed by the authenticity of the period detail, the portrayal of all the characters accurately conveys the whole range of human emotions within the stories.