Renée Gardès

A publicity-minded French mayor reunites quintuplets and their earthy father, all six played by Fernandel.

Accused of dealing in counterfeit, Paul entrusts his daughter Brigitte to the care of a friend, Jean Clary. The girl, a walking catastrophe, finally wins Jean's heart. They unmask the forgers, clearing Paul's name and can now concentrate on their love.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

Pierre married Florence, the only daughter of a small industrialist. 15 years later, he is the boss, but his middle-class life worries him a lot. When a new young and lovely secretary comes, he starts dreaming.

Brigitte, the beautiful daughter of the French premier, falls for one of her father's aides, the womanising Michel, and attempts to get him to settle down with her. However, as Michel can't curb his flirtations with other women, Brigitte makes a play to seduce the married Prince Charles, resulting in a battle of wills between the gorgeous girl of privilege and her beau.

The Marquis Rodolphe de Sombrueil accidentally runs over a working man with his carriage and helps his widow -- unjustly accused of robbery -- to find her missing daughter.

People in Paris struggle with loneliness and urban isolation. In the center is Raphaële, a successful architect navigating her fragile relationship with her lover Vincent, a journalist grappling with alcoholism.

While Henri Laurent speeds along on the racing circuits, his pretty wife Françoise goes from luxury boutique to luxury boutique with her best friend Denise. One day, Denise lets her know that Henri has a lover. Outraged, Françoise moves out of marital home and rents a maids' room in Rue de l'Estrapade. Henri tries to get his wife back but Françoise does not listen. She even looks for a job in a prêt-à-porter shop and lets herself be courted by Robert, her neighbor across the landing...