Charles Ingram

Don Cheadle is obviously the best person to play Captain Planet in the movie version of the popular cartoon, hopefully they make his character a nicer guy.

Adam Scott presents this behind-the-scenes look at the world's worst first assistant director, with Ken Marino and Mark Duplass.

The story of the modern technology guru Steve Jobs from Apple's humble start to a global phenomenon. Follow behind the scenes and discover how Jobs and co-founder Steve Wozniak happened to be on top of each other.

This is a short film inspired in the 80's classic "Weird Science". It does not follow the same story, but could be seen as a spoof remake.

Sir Patrick Stewart stars as the Godfather of scalping tickets for the grandest event of them all....The 2012 London Olympics.

Captain Planet drops in on a very concerned Environmental Protection Organization, and he and Ma-Ti have a heart to heart.

Captain Planet stars in a horrible film as human action hero, Croc Peterson... Then turns everyone into trees.

Watch out! Don Cheadle is back as Captain Planet and he's still turning everyone into trees.

Bolt Driver is equal parts a tongue-in-cheek-taxi driver-re-creation-via-no-budget malick goof as it is a straight from the bloodstream quintessential meditation on contemporary life in LA for the socially alienated.

Three legendary synth musicians compete in a cosmic battle for synth dominance, in this recently-unearthed concert from 1986.

Downton Abbey's Michelle Dockery is Agent Tough in the hottest new cop drama that's not at all anachronistic, Tough Justice. With a special guest voice appearance by Jon Hamm.

A cowboy tells stuff about funny things.

Huey Lewis is here to ask you “Do You Like Huey Lewis and the News”

Have you heard that St. Vincent has been named ambassador to the tiny northern Russian island of Recorstorda? She has nothing to do with Record Store Day.

An invisible and disrespected sound mixer becomes infatuated with the lead actress.

Hector is a period piece of a sort, taking place in 1993, 2014, 2022, and in the thirty-second century—loosely chronologically, though striated throughout with flashbacks and visions of the future(s), edited as though by a half-dozen different people with entirely different intentions, or one nut job desperate to appeal to a half-dozen different audiences. It may loosely be described as a movie about the making of a movie, in which Corirossi plays “Nick Corirossi,” a balding lecher and fraud director whose messianic delusions turn out to be true.