Věra Čáslavská

At the 1968 Mexico City Olympics, the silent protest of Tommie Smith and John Carlos changed The Games forever, becoming one of the defining images of the 20th century.

In her first feature, Věra Chytilová uses a combination of documentary and fiction film techniques to tell two stories in counterpoint. The first follows Olympic champion gymnast Eva Bosáková, who contemplates retirement as she undergoes a gruelling training schedule; the second, a housewife who is unappreciated and ignored by her husband.