Faline England

Intertwining couples and singles in Los Angeles break-up and make-up based on the pressures and expectations of Valentine's Day.

A priest returns to his old Catholic high school to replace a priest who has gone missing, only to begin to suspect that the missing priest may have been murdered by someone at the school to hide a darker secret.

On Christmas Eve in the Arizona desert, a middle-aged man and an old woman contemplate suicide. But through chance run-ins with strangers and perhaps some divine intervention, they cross paths and change each other's lives forever.

"Chasing October" is a docu-comedy that chronicles one fan's crusade to take the Chicago Cubs to the World Series "by any means necessary." Director Matt Liston quits his job, gets all access to his favorite team, and rallies a city. Perhaps no other fan in the history of sports has gone to such an extreme. See Liston as he helps facilitate a trade, attempts to get a $20 million loan to help team payroll, and takes being a fan to a whole new level. This film is a hilarious must-see for all sports fans and for anyone who has ever chased a dream.

Gulf View Drive picks up almost a decade after May and Raleigh part ways in See Rock City to pursue their separate dreams, keeping faith that they will remain connected and come together again. Having met during the early years of WWII in Last Train to Nibroc and endured the struggles of marriage, family, and work against the backdrop of war and uncertainty in See Rock City, May and Raleigh have relocated to Florida, enjoying their dream house and the security their love brings. The year is now 1953, and May is a schoolteacher while Raleigh has found success as a novelist. Their peaceful home is turned upside-down when Raleigh's cheerless mother comes to stay for an indeterminate amount of time. With May's mother and Raleigh's pregnant sister already living with them, the strain becomes both humorous and unbearable. The final part of Arlene Hutton’s Nibroc Trilogy, directed by Katharine Farmer, was captured by Cinevative at the Rubicon Theatre Company in California.

Patrick Jane, a former celebrity psychic medium, uses his razor sharp skills of observation and expertise at "reading" people to solve serious crimes with the California Bureau of Investigation.

A Las Vegas team of forensic investigators are trained to solve criminal cases by scouring the crime scene, collecting irrefutable evidence and finding the missing pieces that solve the mystery.

An elite team of FBI profilers analyze the country's most twisted criminal minds, anticipating their next moves before they strike again. The Behavioral Analysis Unit's most experienced agent is David Rossi, a founding member of the BAU who returns to help the team solve new cases.

Explore the high-pressure experiences of police officers, paramedics and firefighters who are thrust into the most frightening, shocking and heart-stopping situations. These emergency responders must try to balance saving those who are at their most vulnerable with solving the problems in their own lives.

The series follows the ventures of a Missing Persons Unit of the FBI in New York City.

Hotshot plastic surgeons Dr. Sean McNamara and Dr. Christian Troy experience full-blown midlife crises as they confront career, family and romance problems.

Allison Dubois works in the District Attorney’s office using her natural intuition about people and her ability to communicate with the dead to help to solve crimes. Her dreams often give her clues to the whereabouts of missing people.

Inspired by actual cases and experiences, Numb3rs depicts the confluence of police work and mathematics in solving crime as an FBI agent recruits his mathematical genius brother to help solve a wide range of challenging crimes in Los Angeles from a very different perspective.

While attending a Hollywood premiere with a famous action star, a crazed fan pulls a gun—but her movie hunk turns into a coward, and it's Vallery who becomes the hero. Suddenly, she's thrown into a world of action and danger as owner of a Hollywood protection agency, Vallery Irons Protection (V.I.P.), taking risks to protect others at a price few are willing to pay.

A group of heroic firefighters at Seattle Fire Station 19—from captain to newest recruit—risk their lives and hearts both in the line of duty and off the clock. These brave men and women are like family, literally and figuratively, and together they put their own lives in jeopardy as first responders to save the lives of others.

Bizarre things start happening in the little New Mexico town where UFOs were spotted in 1947. Cut to 1999, when a cute high-school student saves the life of a teenage waitress. Surrounded by cliques of clever, angst-filled classmates, the two form a bond that threatens the survival of a secret universe involving superhuman powers, a yen for hot sauce and an alien gene pool.

Sammo Law spins, kicks, and chops his way through crime as a one-man police force in Los Angeles. He's a tough law enforcer who comes to the U.S. in search of a former friend and protegée — and gets drafted as part of the LAPD.

The Agency is a CBS television drama that followed the inner-workings of the CIA. The series was created by Michael Frost Beckner and was executive produced by Michael Frost Beckner, Shaun Cassidy Productions and Radiant Productions in association with Universal Network Television and CBS Productions. It aired from September 27, 2001 until May 17, 2003, lasting two seasons. It featured unprecedented filming from the actual CIA headquarters. The show was controversial regarding its exploration of current international affairs and its treatment of the ethical conflicts inherent in intelligence work. Beckner's pilot script, written in March 2001, posited a re-invented CIA tasked with a "War on Terror" after Osama Bin Laden's Al Qaeda terrorist organization plots a lethal attack on the west. The pilot was to premiere at CIA Headquarters on September 18, 2001 and set to air on CBS September 21, 2001, however, the actual 9/11 attacks convinced the network to hold the pilot and instead air a later episode. That first episode was aired later as the third episode of the first season. The September 11, 2001 terrorist events changed the way Americans viewed topical entertainment and "The Agency", at the time, was one of the most topical offering on network television. The producers of the series quickly responded to this new American perspective on world affairs, but CBS chose to cancel the show shortly after the second season's final episode.