Joe Tripician

An American filmmaker returns to the Balkans to confront his personal failings where 24 years ago he became a paid propagandist for a foreign country.

A philosophical flume ride through the physical, political and moral borders that inhibit the free movement of people and ideas. Mixing commentary, computer graphics, dramatizations, and investigative journalism, Borders probes the unsettling paradoxes behind immigration, drugs, Star Wars, and other topics.

A filmmaker embarks on a poignant journey with his parents to the secret city where they unknowingly contributed to the creation of the first atomic bombs.

At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.

Alex is a resourceful motoboy who cheats death daily on the most dangerous streets in the world. One day his close friend is killed by a reckless motorist. Alex seeks justice, but a corrupt cop stands in his way. The cop has orders to destroy all evidence of the motorist’s complicity in the accident, because of the driver’s wealth and status.