Kostas Stefanakis

An ex cop arrives in Athens after the murder of his wife. Approached by the chief of police, he reluctantly agrees to help take down a mafia ring. Thus begins a circle of blood that becomes more and more violent as the hero goes deeper into the case. When he is asked to abandon his mission, he refuses; nothing seems able to stop the violent outburst of a man desperately looking for catharsis

Stella is a beautiful young girl who dreams of becoming one day a famous singer. Her boyfriend Andreas leads a quiet life working at his small store, and doesn't approve Stella's quest for fame. When she decides to leave Athens for a singing job offered to her somewhere in north Greece, Andreas sets off on a quest to find her again and convince her to come back to him

In the mid-1960s, Kostas left his village in Crete dreaming of becoming a star. His rugged physique and humble background afforded him only small “tough-guy” roles, yet in numerous Greek films – from big studio productions and renowned auteur masterpieces to low-budget exploitation films alike. By placing a support actor at centerstage, the film traces five decades of Greek cinema.

Konrad, his sister Nina, and their friend Ito drift through the eastern Mediterranean in search of drugs, moving between decaying ports and shabby hotels. They steal, deal and sell their bodies to survive, while emotionally detached Konrad remains seemingly untouched by the increasingly destructive life around them.

Iro Konstantopoulou was thirteen years old when the Germans invaded Greece. Despite her age, however, she got involved with the resistance. When she was arrested for the first time, her rich father managed to set her free, and she fell in love with a young doctor who took care of her injuries following torture. A little before the withdrawal of the Germans, she participated in the blowing up of a train that was transporting ammunition, and she was arrested again, but this time no one could save her. She was executed at the Chaïdari camp, along with forty-nine other prisoners.

This highly acclaimed drama from Greek writer/director Sotiris Goritsas, inspired by the Sotiris Dimitriou short story, represented Greece as an official selection for the 1994 Cannes Film Festival Directors' Fortnight. It concerns two young Greek men seeking refuge in Albania. Thomas (Vassilis Eleftheriadis) and Achilleas (Ierassimos Skiadaeressis) make an illegal late-night run at the Greek border, joined by young Nikos (Antonis Manolas), a child whose mother had been killed by Albanian guards. Returning to Athens, they find that the land they had missed and dreamed of so often has changed, refusing to accept the returning refugees or even see them as Greek -- the locals refer to the trio as "Albanians" throughout the film. Demoralized and disillusioned, Thomas is accidentally killed while working at a building site to make ends meet, and Achilleas and Nikos decide to return to their Albanian village rather than stay in an Athens, which clearly has no place for them anymore.

During a hunting party on New Year's Eve 1976, five representatives of the bourgeoisie encounter with their companion the body of a partisan from the Civil War of the late forties. What they are most confused about is the fact that the corpse that lies at their feet is still bleeding…