Ella Becerra

A dramatized account of Colombia's 1985 Palace of Justice siege combines fictional elements with historical footage, exploring themes of belief, turmoil, and lasting national trauma.

A theater group made up of various actresses and a male director are rehearsing a play when several cases of invisible abuse and homophobia begin to occur. The women begin to talk to each other and discover that they all have a painful story to tell.

A dying man arrives at a hospital where the chaos of the health system is remarkable. As he waits in line, a newscast announces violent incidents and police officers search the hospital for the possible perpetrator.

Teresa is an artificial intelligence device that comes from the United States to Colombia to be tested in a real world and with a very particular family: Los Rico. Teresa arrives just at Christmas time, where between novenas, fritters and custard, she will discover deep connections with her new family.

Henry Forero, a boy of only twelve born in a pop district of Bogotá, is the new global transportation visionary, but Henry’s revolution will be more powerful and more striking: thanks to him Colombian cars will reach the whole world. Henry is a child who teaches that sometimes in life in order to get to the top you have to go downhill.

A mother, who no longer remembers anything, and her son attempt to reconstruct her present together. A journey into the depths of memory, using photographs which speak of freedom, independence, neglect, teen motherhood and being a woman.

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.