Min Hwan-ki

On a rainy day, an old man is sweating his guts out putting a mysterious device up the ceiling.

A young man who lives in the big city with his brother spends his nights having sex with other men for money. When one customer doesn't have enough money to pay, they arrange to meet the next night.

Kim Dae Jung, who stands next to people in the middle of caotic history! A young businessman Kim Dae Jung recognized the victims of ideology. He decided to be a politician to make his country where people's politic and democracy are rooted. The price of being leave from a guaranteed future and take the first step on a bumby road was kidnapping, death threats, imprisonment, and a death sentence that shook him to the core, but even in his final moments, when he was sentenced to death, Kim never wavered. "Democracy will be recovered. I believe in it." The life of President Kim Dae-jung, a death row inmate who survived from the throes of death, four parliamentary elections, and three unsuccessful presidential campaigns, is etched into the modern history of South Korea.

Some time after completing his mandatory military service, a man receives a distressed call from one of his subordinates, who's also an old classmate.

Includes shorts: Girl on the Run, The Theory & Practice of Teenage Dream, Relay, U and Me and Blue Birds on the Desk.

Where did our age originate from? Cleverly portraying our past and the landscape of history which was anti-enlightenment, this film unravels them all within the structure of a melodrama.

In 2009, a group of young people quit their jobs and founded an alternative fashion company, Orgdot, in the hopes of creating an ethical fashion brand. In contrast to the bloodsucking practices found in the current fashion industry and its status quo, Orgdot’s goal was to establish a win-win platform for both the producer and the consumer. is about the dream of those who chose to bring such a challenging endeavor into their lives and the inevitable anxiety and conflict they faced because of it. However, the film is not about Millennials, the so-called anxiety generation, and its general fears, but about this one small group’s anxiety surrounding a chosen goal, one that lacks the security found in the accepted norm. The film is the second part of director Min Hwan-ki’s exploration of a generation’s place and latent power. sets out to chase down and analyze the struggle that follows the anxiety and, of course, express support for those choices.