Shyam Laha

Haria, an elephant driver, loves gypsy girl Gulabi, but faces rivalry from Ajay, the tea estate owner's son. After Ajay kills Haria's elephant, Raja, Haria seeks revenge, intertwining with a family secret and inheritance dispute.

A working-class leader confronts a villainous factory owner, falls in love with the boss's daughter unaware of her family origins and, after many adventures and setbacks, it is revealed that the hero is in fact the official heir to the property the villain had usurped. An influential Bengali novelist acknowledging allegiance to socialism, Mitra's studio-bound film concentrates on showing the milieu of the rich while the dialogues make numerous references to the workers and the poor.

An artist leaves everything behind to go in search of fame and recognition, but the past continues to haunt him.

Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.

A 1949 Indian Bengali Drama Film directed by Deb Narayan Gupta.

Poor but brilliant doctor Jayanta (Uttam Kumar) and Mallika (Suchitra Sen), the grand-daughter of one of the richest men in Darjeeling, fall head over heels in love. Mallika's grandfather is not amused and tries to break up the affair when Jayanta goes abroad to study for a higher degree. Will true love conquer all?

Social comedy about two young newlyweds against the backdrop of pre-Independence Bengal.

A person vows to eradicate the rumors of a haunted house.

A lady visited Mr. Surajit Roy, a detective, with a proposal to steal a will from a landlord's house. Surajit did not accept the assignment. Soon after, he received a telegram from one Rajib Lochan Choudhury, zamindar of a remote village in Murshidabad district. It appeared that Rajib Lochan's life was in danger. When Surajit visited his house the zamindar had already been murdered. Detective Surajit started an investigation while staying at the house. He saw a nurse, Anima, appointed for Rajib Lochan and recalled that this lady went to him with the proposal of theft. There were several relatives and servants in the house but most of them concealed some or other facts from him. Finally, Surajit was successful in tracking down the real culprit

A young law student is forced into an arranged marriage though he is in love with somebody else. Following the wedding the drama focuses on the bride's mistaken identity and the search for her husband.

A wealthy man is struck by wanderlust that always takes him to new places where he mingles with the lives of different people.

Nondo and Gobindo are both rich people who live in a village. But they had married in the city. One day Nondo writes Gobindo's father-in-law that they are coming to the city and want to stay there. But after arriving in the city, they found nobody was waiting for them in the station. Then they meet somebody who is also looking for some people. So, he takes them into their house. After receiving the hospitality, they realized they were in the wrong place. They decided to go to a hotel. After reaching there they met some people and day by day they had different experiences in the city. Then they accidentally reached a film shooting spot and after then through some incident, they reached a police station. After that, they found their house and again did some hilarious incidents in his father-in-law's house.

The owner of Annapurna boarding house facing an upcoming trouble for let in a girl in the boys hostel.

At the Nangteshwar Shield tournament, Bagha and his teammates from the Sarbamangala Football Club face challenges on and off the field, as the local club president strives to keep the ancestral shield in the family by hook or by crook.

Tapan Sinha's first Comedy Film & Madhabi Mukherjee's Debut Film.

Tapas, an aspiring singer, and Mina, a troubled woman, meet by chance and decide to give life a chance together. As Tapas and Mina face struggles in their jobs, accusations of infidelity threaten their livelihoods, but they remain determined to overcome obstacles and find happiness.

A story of love and sacrifice of a mother who did everything to protect her child ,even from her husband.

Indrani falls in love with Sudarshan, an unemployed man. Soon they face the hardships of life and drift apart.

Tapan Sinha's debut film is based on a Narayan Ganguly story SAINIK, which figured an elephant in the central character.

When the messengers of 'Yamraj'- God of Death - mistakenly bring an alive, honest person to hell, he starts a revolution to fix outdated rules of heaven and hell.

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.

Darpa, a cunning man, asks Rajkumari to pretend to be Princess Rajkanya Chandralekha so that he can keep all her riches for himself. However, when she realises the truth, she ensures all his plans fail.

Satyendra, the scion of a wealthy Bengali zamindar family, is married by family duty to an eleven‑year‑old girl, Radharani. Emotionally detached, he grows closer to Bijli, a mature, self‑sacrificing courtesan.